Rex Ahn Email & Phone Number

Japan

Tokyo, Japan

Gaining decades of computer graphics experience, both on the creative and technical-side, I've started an animation studio with two other trusted compatriots.Honeybee Studios was conceived to produce high-quality CG works, with a Western twist. We are located in Tokyo, Japan, and boast a tight crew of veteran CG artists. Our uniqueness lies in our complete.

Tokyo, Japan

I am directing cinematography, as well as final animation, for a yet-unannounced long-form RPG.I also give workflow, as well as technical suggestions, to improve the overall production.I am contracted through my company, Honeybee.

Tokyo, Japan

Studio CG SupervisorMy overall task was to bring greater efficiency to the production pipeline at Sola. Working closely with the Lead Technical Director, we created Genesys: a no-nonsense, fast, production pipeline. With my over 20-years of industry experience both on the floor, and managing my own studio, we created a fast-flowing data and communication.

Tokyo, Japan

Animation Supervisor for Ghost in the Shell: SAC_2045 (Season 1)I was brought on-board near the tail-end of the season to ensure the quality of animation met the clients' requirements. As well as animation quality-control, I led the animation department on technical needs and relayed with the other various departments to find solutions to production.

Tokyo, Japan

I was one of the narrative cinematics creators for Final Fantasy 7 Remake. I handled the mocap performance direction, camera-work, and editing for many of the heavy action-sequences. We used Motionbuilder as the base software to ingest the capture data, then shot the sequences within the software.I was contracted through my own studio, Honeybee.

Within 23 Wards, Tokyo, Japan

From initial storyboard blocking, to cinematography, to final animation, I lead a team of artists to complete the visual communication of stories.Training crew in camera-work and in both artistic and technical animation techniques is part of my responsibilities.I am also deeply involved with the framework-development of our in-house technical pipeline on.

Tokyo, Japan

Lead Layout Cinematographer for Final Fantasy XV, by Square Enix, Japan.

Tokyo, Japan

Lead Creature Animator for Final Fantasy XV, by Square Enix, Japan.

Within 23 Wards, Tokyo, Japan

Freelancing as a Technical Animator here in Tokyo for both local and remote projects.

Worked on all-Japanese anime productions such as: ダンボール戦機 (Cardboard War Machines) UsavichAdditional Pipeline consultation

Shot-cinematography, Layout and Animation -- Tron: UprisingAdditional Pipeline consultation

Shot cinematography -- Transformers: PrimeAdditional Pipeline consultation

Lead Animator -- Transformers: PrimeAdditional Pipeline consultation

Lead NIS and in-game animator

Previz Lead Artist for feature film on projects such as "The Day the Earth Stood Still", "Dragonball", "Night at the Museum 2". Worked with Previz Supervisor to ensure projects were completed on time at the highest quality possible.

Established a full production pipeline for episodic television shows from the ground-up. Advanced current proprietary tools by working alongside the Software engineers. Increased efficiency of all departments with new methodologies, workflows and software. Contributed to overall pipeline of production from Design to Modelling, Animation to Rendering and.

Animation, rigging and character set-up, modelling, texturing under heavy deadlines

Animation theory and software execution training. Theory includes education on posing, timing and acting. Software execution involves fcurve manipulation, on-the-fly rigging and tips/tricks to animate faster. Also directing and editing students' final project.

Responsible for lighting, rendering and compositing shots; followed direction of lighting supervisor; managed fixes between animation and lighting department; create work-arounds within compositor to complete shots quickly

Supervising Animator, Episode 5 Spiderman: The Animated Series; responsible for keeping animation team moving forward by dealing with technical hiccups; worked closely with modelling and FX departments to ensure that broken assets were fixed and ready for animators to use; instructed animators on action animation theory and execution; worked with Producer.

Lead a team of animators from the beginning of an episode straight through to the end. Worked with director and supervising animator to motivate team and also keep track of individual work output. Led teams by example.

Responsible for animating sequences distributed by the espisodic director; lighting, rendering and compositing those shots