Ric Wallace Email & Phone Number

Norcross, Ga, Us

I am an estimator. That is the best description for my job. I translate "requests for proposal" into an actionable plan, and build estimated quotes that will be used by the sales staff for their pitch to clients. I develop proposals and populate our event management system with all the relevant data extracted from the RFPs. Event location, equipment required, and the labor call necessary to mount the program. Do you want to have a circus in the front yard while a band plays by the pool in the back yard, and broadcast it all on live TV? I can tell you how much you should budget for!I "design" the presentation systems for programs and create the labor call to meet budget expectations as outlined in the client's RFP. This is often a collaborative process that includes creative team members and account managers as we analyze the programs, the venues, and the goals of the customer.I research the client's past programs and events and develop the baseline event costs for equipment allocations and labor. I'll factor in the cross rentals, build a day-to-day labor schedule, and plan the T&E for staff that will travel when needed.I thrive on the close cooperation and collaboration this job entails and I really enjoy delivering great experiences for our clients. Our team is focused and driven to excel. A happy, excited, and engaged audience is always a thrill for me! Your audience's enjoyment is my mission!

Astoria, Or, Us

We are training the next generation of AV professionals! The Moodle course management system is a remote/distance learning solution for teachers and students in the web-connected world we work in!Classes are suited for a wide range of candidates. From fundamental courses for high school seniors and entry-level operators all the way to advanced concepts for novice operators who need to raise their skills to the next level.Over 40 classes are offered to suit any experience level. They include; -A 26-week program designed for high school vocational education programs. -A 9-week course for entry-level techs or stagehands working in Houses of Worship, convention centers, and community theaters, for example. -An 8-week course for mid-level techs and operators who need to level up.The Moodle is available in any browser or mobile device and keeps students connected to the learning process well beyond the classroom.Using my 30 plus years of experience as an audio engineer, I've designed and written the curricula for these classes created the source materials and videos for my YouTube channel. In addition to creating the curricula and producing the source material, I am a Power-User/Admin of the Moodle CMS system. I have deployed Moodle in several different server environments. As with any modern software system, Moodle requires constant attention to maintain a lean database, keep the site secure and limit any exposure of IP or personal info. The Moodle can be adapted to teach any subject. If your organization needs to deliver training and development, please contact me for a consultation.

Norcross, Ga, Us

Working as a member of the National Bid Team, I take RFPs and populate our management software as required to develop fully formed and accurate bids. I collaborate with the Creative team to build and price the proposals for the Sales Team and communicate with the Pro forma team and management to meet goals and milestones. I collaborate with the salesman and project managers to formulate, plan and deploy large and small events worldwide.In my former position as the Production Coordinator for Entertainment Services, I planned and managed entertainment events from conception and design to deployment and operations nationwide.As a Technical Director for concerts and theatrical events, I excel at:-Customer relations-Artist relations-Staff management-Script development-"Calling" the show by script-Imaginative problem solving-A calm and professional demeanor in stressful circumstances

Athens, Georgia, Us

As the Production Manager at the Georgia Theatre I co-managed the rebuilding of the venue after the fire that destroyed it in June 2009. I collaborated on the design of the production elements for the venue and oversaw the installation of the low voltage systems, the signal path, production power distribution, primary and secondary audio, performance lighting and video equipment as well as the point of sale system and LAN infrastructure.

Athens, Ga, Us

As the Technical Director for Campus Life, I was responsible for the production of entertainment, educational and cultural programs in venues ranging up to 90,000 seats. I collaborated in the design and construction of numerous upgrades and facilities and participated in the $55M renovation and addition to the Tate Student Center. I supervised two full-time staff members and a very large student staff. I supervised contract labor and IATSE stagehands during university productions. I was responsible for negotiating with vendors as well as supervision and oversight of the design and setup of their staging, lighting, sets, backdrops and the audio/video playback systems for all large university programs.Working within the Department of Campus Life, I co-administered an annual operational budget of $500,000.00 for the Facilities and Services area. I was responsible for writing monthly and year-end reports and budget amendments as well.

Athens, Ga, Us

I operated the digital audio devices and special FX light show for sports and entertainment events held in the 11,000 seat UGA Stegeman Coliseum. I utilized a moving light system consisting of a Jands Hog500 controller, 6 Cyberlights, 6 XSpots and 4 Lycian 2K Spotlights. I “call” the show cues for sound, lights and pyro. I scheduled and supervised 8 spotlight operators and 2 audio technicians and was responsible for the maintenance and programming of the lights.

During my many years working as an Audio Engineer, I was the Production Manager and FOH audio engineer for many different artists. The Butthole Surfers is one of the bands I toured with extensively. Many tours of Europe, Australia, Japan, and of course about a million miles in North America. I recorded and co-produced two records with the Butthole Surfers: Hairway to Steven, and the limited edition live "self-bootleg" released in 1989. I have a discography that goes back to the mid-'80s. I produced or engineered around 100 "albums" for rock bands. I guarantee you've never heard of 98% of them, but I put my heart and mind into every single one of those projects! :)I helped the Surfers pioneer some live production techniques that are now used by every band worldwide. If you ever saw the Surfers perform live, you will know exactly what I mean. The audio company I was a part owner in at the time, Seismic Audio, Seattle WA, managed the sound and lights, and film projectors for Butthole Surfers tours of that era. Although the Surfers are the most infamous group I worked for as an audio engineer, there were many others I toured with as well. Far too many to list here. A broad sample of tours and one-off Live concert events would be, Roy Rogers to Smoky Robinson. Scatterbrain and Widespread Panic are another couple of bands I toured with. I've mixed thousands of live sets. In the latter years of my touring, I also often worked as a Tour Manager. Those opportunities allowed me to gain many additional skills. Managing budgets, running expenses, and developing good accounting practices, just to name a few. Those experiences account for much of the intense attention to detail I bring to all my work today.

Drama/Theatre Arts And Stagecraft

General Studies

Certificate Of Completion, Rigging