Esperta in Gestione Progetti CulturaliStrategist di Marketing TerritorialeLeader Innovativa nella Strategia dei ContenutiConsulente Progetti Culturali e Responsabilità SocialeEventi CSR: Pianificazione e ImplementazioneGestione del Budget e PianificazioneCoinvolgimento Collaborativo degli Stakeholder

Strategia culturale- progettazione culturale per enti pubblici e privati, attività di consulenza, progettazione e pianificazione, attività di comunicazione- analisi museologica e museografica per realtà museali, concept e progettazione eventi espositivi, analisi dei contenuti, individuazione degli autori e curatori, supervisione museologica e museografica, richiesta patrocini, coordinamento editoriale di cataloghi d’arte, photo editing, gestione rapporti istituzionali, attività di… Show more Strategia culturale- progettazione culturale per enti pubblici e privati, attività di consulenza, progettazione e pianificazione, attività di comunicazione- analisi museologica e museografica per realtà museali, concept e progettazione eventi espositivi, analisi dei contenuti, individuazione degli autori e curatori, supervisione museologica e museografica, richiesta patrocini, coordinamento editoriale di cataloghi d’arte, photo editing, gestione rapporti istituzionali, attività di comunicazione- progettazione culturale in ambiti alternativi al mondo della cultura Show less

Negotiating terms and conditions of contracts, establishing time-scales and budgets, determining project requirements, liaising closely with clients, undertaking relevant research, sourcing appropriate pictures and images for assigned projects, exploring all picture sources including online image banks and stock photo libraries, deciding when to use existing images or to commission a photographer, negotiating fair prices for pictures, handling images with care and protecting them from loss or… Show more Negotiating terms and conditions of contracts, establishing time-scales and budgets, determining project requirements, liaising closely with clients, undertaking relevant research, sourcing appropriate pictures and images for assigned projects, exploring all picture sources including online image banks and stock photo libraries, deciding when to use existing images or to commission a photographer, negotiating fair prices for pictures, handling images with care and protecting them from loss or damage, building computer archives of images, keeping accurate records of pictures, obtaining correct caption and credit information, using specialist software for editing and manipulating images, working with other professionals including writers, reporters, graphic designers and editors, keeping up to date with rules and regulations governing the use of images.All of these duties for Publishing Houses, Film Companies, Television Studios, Advertising Companies, Design Companies, Museums and Art Galleries. Show less

Providing a warm welcome to patrons; helping with safe evacuation of the audience in the event of an emergency; to be aware of Health and Safety issues; maximise sales.

Web and graphic design; promoting the Company services on social mediaplatforms, editing and adding contents.

-Responsible for management of Pino Pascali’s Graphic Works, principallyexecuting research study on Pino Pascali’s graphic works and managing thearchive of artworks for the publication of the General Catalogue of Pino Pascali’sGraphic Works. I manage the website promoting the artist’s work throughpublicising Pascali’s shows and events, for which I organise the loan of artworks.-Organisation and management of exhibitions of various artists; my role is to followthe artists… Show more -Responsible for management of Pino Pascali’s Graphic Works, principallyexecuting research study on Pino Pascali’s graphic works and managing thearchive of artworks for the publication of the General Catalogue of Pino Pascali’sGraphic Works. I manage the website promoting the artist’s work throughpublicising Pascali’s shows and events, for which I organise the loan of artworks.-Organisation and management of exhibitions of various artists; my role is to followthe artists and curators during the different phases of the exhibitions, from themounting of the artworks, and advertising events, to running the inaugurationevents. In addition I am involved in the press agency management to promote theshows in progress.-Editorial coordinator of the catalogues published for the shows: editorial concept,editing, photo editing, collaborating with curators, graphic designers and publishinghouse. Show less

RSVP* magazine _ When the boredom is not cult!-Concept & art direction: this is one of my projects, working in a team of graphicartists, photographers and other designers, selected by me, accomplished therealisation of the magazine, as curator, as editor and photo editor.RSVP* is the magazine of culture that doesn’t inform, doesn’t criticise, doesn’t nauseate.RSVP* is designed to create an alternative and little catalogue which dedicates its first partto a cultural… Show more RSVP* magazine _ When the boredom is not cult!-Concept & art direction: this is one of my projects, working in a team of graphicartists, photographers and other designers, selected by me, accomplished therealisation of the magazine, as curator, as editor and photo editor.RSVP* is the magazine of culture that doesn’t inform, doesn’t criticise, doesn’t nauseate.RSVP* is designed to create an alternative and little catalogue which dedicates its first partto a cultural event, different for every issue. RSVP* maintains its original meaning,*Répondez s'il vous plaît (Please reply), the demand of a reply by the event guests, butis also an interaction with the reader. RSVP* further lets show *Rare Signs of sPokenVisions, because signs of a rare language that speak about and through images.The magazine is printed on recycled paper; with content being printed in the style of agonyaunt responses, horoscopes, and food pages, which entices readers to a curious, brilliantand ironic style. Show less

Working as curator of the show Innuendo. Chiara Bettazzi & Andrea Lunardi. Thiswas in a cultural event, Spot, curated by the not for profit associationContemporary Spot in Pistoia (Tuscany), for which six curators (among which me)were the protagonists of a six night show, exhibiting our last research incontemporary art and the artists’ works. I showed Chiara Bettazzi and AndreaLunardi’s works, curating the textus receptus (published in Flash Art magazine),the mounting… Show more Working as curator of the show Innuendo. Chiara Bettazzi & Andrea Lunardi. Thiswas in a cultural event, Spot, curated by the not for profit associationContemporary Spot in Pistoia (Tuscany), for which six curators (among which me)were the protagonists of a six night show, exhibiting our last research incontemporary art and the artists’ works. I showed Chiara Bettazzi and AndreaLunardi’s works, curating the textus receptus (published in Flash Art magazine),the mounting and the promotion through press agency. Show less

Working as curator of the photography show Flesh out. Juan Segundo. My rolewas to study and to follow the Argentinean artist in his work to create an exhibitionof his photos. I chose a different location, a fashion atelier, for the show,collaborating also with the fashion designer: this atelier was for me really appealingto host the photography exhibition. I was also the curator of the textus receptus andthe editor of the catalogue of the show.

Working as part of three man team, my main task was to manage construction projects, to coordinate all stakeholders and deliverables and to realise working drawing for the works in progress of Emporio Armani, of Nobu Restaurant, of Armani Hotel and of Technogym showroom in Milan.

Cooperating in a ten people team for the competition of the project for therealisation of Salewa Headquarters in Bozen, Italy: first classified project.