Romain Bigorgne Email & Phone Number

Edmonton, Alberta, Canada

Quebec, Canada

Quebec, Canada

Managing the audio team, to deliver amazing post launch content for Assassin's Creed Odyssey. DLC content, Story Packs, Title Updates

Quebec, Canada

In charge of many aspect of the game audio: characters content, scripted content, dynamic dialogue system, quest system, game flow and transitions. Mentoring juniors in their mandates.

Quebec, Canada

Proposing a global audio artistic vision to the core team.Setting up all technical and implementations audio needs for a undisclosed project.Starting from scratch with programmers to build all needed systems. Wwise interfacing, Sound data and builds management, Ambiance and reverb systems, core game parameters, animation audio tools, support classes for.

Quebec, Quebec, Canada

Audio Design, assets, implementation and premix for all combat, assassinations, weapon, firearms.Responsible for legacy and new content on Parkour, navigation, player interaction and tools.Custom Foley recordings as main material for all assets implemented. Custom animation pipeline co-development.IGN says:"Helping the game design in this respect is.

Montpellier Area, France

Main sound designer on the DLC campaign for assassin's creed unity: Dead Kings. The challenge was real as the Montpellier team chose to have a brand new world, new npcs and behaviors, new weapon, gameplay features, new music and a totally different atmosphere and tone.My tasks were the following: - Design, implementation and audio assets production for.

Montpellier Area, France

I have been responsible for the Montpellier sound studios management. My experience in the film industry helped me re design and setup hardware and software configurations for the studios that matched the needs of the different projects. The duties were the following: - Foley room: microphones and preamps purchase. Props gathering and storage solutions..

Montpellier Area, France

After the launch of ZombiU, I have worked closely with Ubisoft Montpellier audio programmer to improve a legacy ambiance system and to develop a fully systemic meteorological sound system for an upcoming vast open world project that unfortunately got canceled. Some of the design and technology actually made it to the up coming title Ghost Recon Wildlands.

Anywhere

In addition to my main work as a video game sound designer, I still frequently involved with great projects doing Foley work with my friend Bastien Benkhelil @ Anomaly Sound. Staying in touch with feature film post production is a great way for me to keep up with the sense of detail in sound to picture. Projects include:I am wrath, Animals, 400 Days, I.

Montpellier Area, France

My career in game audio started in Montpellier with the production of ZombiU. Having previously been an sound editor for the feature film industry, I got hired as the main audio artist for the project. Towards the end of the project though, I started doing more and more implementation of characters audio (player and zombies)- Audio production of all in.

Paris Area, France

Prior to entering Ubisoft, I had the opportunity to consolidate my dialogue skills working on french dubs for theatrical releases.

Seoul, Korea

Following my experience in Los Angeles in the indie film industry, I got the privilege to start working for the leading audio post house in South Korea. This intense year had seen me work on 10 feature films, but also live action tv shows.I had the great honor to cut sound effects for Kim Jee Woon masterpiece, "I saw the devil", and the internationally.

Burbank, California

Before the end of my internship at Larson studio, I started to work at Virtualmix mainly as a dialogue editor, with supervising sound editor and re-recording mixer Patrick Giraudi. I also cut sound effects and recorded foley on some projects with Bastien Benkhelil with whom I still work on occasions. My strongest experience was cutting the dialogue for the.

Hollywood

Master'S Degree, Sound For Film And Multimedia

Bachelor'S Degree, Sound Engineering