Ryan Rubin Email & Phone Number

Producer at Boss Fight Entertainment, a Netflix Games studioCurrently: Squid Game UnleashedPreviously: Selling Sunset

Line Producer handling all shows in development at Atomic Cartoons

Burbank, California, United States

Production Manager handling all shows in development at Atomic Cartoons

Visual Development APM for the adult animated Harley Quinn series on HBO Max

Associate Production Manager for Story on the Lin-Manuel Miranda animated musical feature Vivo.Previously Associate Production Manager handling Story & Editorial for The Boondocks reboot series

Santa Monica

Animation producer leading production on CG, anime, and motion graphics animation projects.- Lead projects through greenlight process, defining all project goals, budget and KPI's.- Organize and onboard writers, directors, art directors, editors, and artists.- Establish and communicate project pipelines, schedules, and budgets.- Oversee script approval and breakdown, style guide development, design, storyboard creation and review, animatic creation and review, shipping to overseas vendors, coordination with VO, music, and SFX departments.- Lead video conference calls with animation vendors overseas.

Product Manager of a 10-member Worldbuilding team comprised of concept artists, visual development artists, and writers who build League of Legends IP for use in CG animations, League of Legends game modes, R&D games, comics and future unannounced projects. Define team’s mission and strategy. Identify and prioritize projects for team to tackle. Map out pre-production schedules, manage and assign artists to projects and ensure prompt content delivery and consistency. Address issues related to performance and team health. - Captain of the Worldbuilding team, dedicated to turning the League IP into a top 5 globally resonant IP akin to Star Wars, Marvel, etc.- Lead creation of clean and clear holistic style guides to ensure consistency of details (architecture, environments, characters, props) within League IP for company-wide, cross product consumption.- Identify and prioritize projects company-wide to streamline studio's pre-production needs. Create roadmaps and milestones, manage internal and external art resources. Ensure project asks are clear and set up artists for success.- Concept art created by the Worldbuilding team appears in multiple products including in games such as League of Legends, Legends of Runeterra, “Project L”, “Project F”, the forthcoming animation series Arcane, countless CG trailers, and League of Legends comics produced by Marvel.- Founded and captained the Lore Archive team, a group dedicated to creating an internal tool to track all League lore across all published products as well as products in development. Manage editors, UX designers, and engineers to build the database and website.- Manage relationship between the Creative Development division (Riot's dept for animation, motion graphics, comic books, prose, etc) and R&D games in order to get ahead of game teams’ upcoming needs, eradicate development bottlenecks, and give teams the assets they need to build faster, IP aligned products out of the gate.

Promoted to manage the Worldbuilding team (see above).- Managed Comics Team through four book releases and Prose Team responsible for writing Champion-centric action stories and backstories.- Hired and managed freelance writers and artists, set publishing pipelines and team priorities, and coordinated releases. - Led development of an internal release planning roadmap tool that displays JIRA tickets on a timeline with custom filtering capabilities. This tool was visible to the entire company, helping all employees at a glance know where and when their product's release would fit in with all other product releases, greatly increasing visibility globally across teams, streamlining efficiency of releases, and giving players a steady flow of released products, rather than uncoordinated batches.

Managed musician's career from the ground up, taking his YouTube channel from 0 to over 5 million total views, his Facebook page from 0 to over 25,000 page "likes", and coordinating the completion of a publishing deal which has led to music placement in national advertisements for Verizon and Crayola.

Managed all administrative tasks for the chief executive of rhythmic radio promotion, the national head of the department, as well as the entire regional staff. Acted as intermediary between artists, management and promoters. Oversaw 10+ concurrent $80k budgets and executed all payments for department. Swiftly eliminated all compliance problems to ensure efficiency for all team members.