I work as a Relationship Manager in the London office for Combined Arts.

I co-founded Goat and Monkey with Joel Scott and Ian Summers and have produced all work to date including; 'The Seed' (four immersive theatre performances, online story and real-world treasure hunt) for the Great Gardens of Sussex in partnership with West Sussex County Council, 'A Little Neck' at Hampton Court Palace in partnership with Historic Royal Palaces and Oxford Brookes University, 'Reverence' at Southwark Playhouse and The Juniper Tree tour to village halls across the South East.We are currently developing 'The Pirate Cruncher' for touring in Autumn 2019 and Spring 2020, working on a project with Wakehurst Place and in the early stages of developing a digital game.

I am a Producer and programmer on both the year round and the Festival programmes, creating exciting projects. My role includes contributing to art form strategies, initiating projects with Artists, programming work across outdoor, small, mid and large scale spaces, working with communities as part of the Our Place programme, liasing with Artists, confirming and contracting performances and venues, ensuring relevant marketing materials are gathered and working with Production Managers to ensure that performances happen on budget and on schedule.

Produced a variety of work from small R and D projects to middle-scale tours including; 'Twelfth Night' by Filter for the RSC and UK and International tour, 'Water' by Filter for the Lyric Hammersmith and on tour, 'Earfull' (a monologue by profoundly deaf actor Tim Barlow) for BAC and tour, 'Henry VIII' directed by Greg Thompson for the RSC at the Holy Trinity Church in Stratford-Upon-Avon. I also worked as a researcher on a consultancy audience development project for Wakefield Theatre Royal, as a co-ordinator for the Producer's Forum and as an Assistant Director on 'Oogly Boogly' (a touring performance for 12-18 month olds).

I assisted Tom Morris and Howard Davies in an administrative role and assisted Tom Morris with early development on various projects. I was also first point of contact for the wider group of Associates where duties included co-ordinating Press Night lists and hospitality, script lunches and booking house seats.

I assisted Artistic Director Tom Morris in an administrative capacity. I also assisted Tom in the rehearsal room on specific projects and helped with early research for projects in development. As part of the wider producing team at BAC, I participated in feedback on Artists' work, assisted with Youth Theatre sessions and booked musicians for cafe gigs.