Revolut helps you spend, send, and save smarter. The global mission is for every person and business to do all things money — spending, saving, investing, borrowing, managing, and more — in just a few taps.💼 𝗥𝗼𝗹𝗲: As part of the wider Revolut Creative Studio; the Brand Design Lead role oversees the production of in-app, communication visuals and physical products. Generating creative ideas and smart ideas to push the brand onwards and into new markets, demographics and technologies.🛠️ 𝗥𝗲𝘀𝗽𝗼𝗻𝘀𝗶𝗯𝗶𝗹𝗶𝘁𝗶𝗲𝘀:• Overseeing the integrity of the brand, cross multiple in-house teams and needs• Elevating the brand style into a more premium, elevated experience. Beyond exchange rates and subscriptions. • Partnering with external agencies and partners to bring the best talents to boost standards and creativity on materials ✨ 𝗣𝗿𝗼𝗷𝗲𝗰𝘁𝘀: • Salary Campaign 2024 (𝘐𝘳𝘦𝘭𝘢𝘯𝘥) • European Airport Campaign Takeover 2024 (𝘐𝘵𝘢𝘭𝘺, 𝘗𝘰𝘳𝘵𝘶𝘨𝘢𝘭, 𝘚𝘱𝘢𝘪𝘯, 𝘉𝘦𝘭𝘨𝘪𝘶𝘮, 𝘍𝘪𝘯𝘭𝘢𝘯𝘥)

Global brand consultancy that’s ambitious for the work and optimistic for the world. Helping each client defy convention, redefine expectations and ignite positive change.💼 𝗥𝗼𝗹𝗲: Shaping projects by navigating a broad range of brand and business issues and delivering consistently as the lead in the team. Hands-on and versatile: going deep into the work to ensure it has tangible impact, guiding and supporting others, providing resilience in the face of ambiguity and change.🛠️ 𝗥𝗲𝘀𝗽𝗼𝗻𝘀𝗶𝗯𝗶𝗹𝗶𝘁𝗶𝗲𝘀:• Guiding the design team in shaping the design work from conception through to delivery • Becoming the backbone of design on a project, being hands on while guiding the design team in shaping the design work from conception through to delivery • Supporting directors on large, complex and multi streamed projects• Leading the design work on smaller fast-paced projects• Playing an active role in leading the design thinking on smaller pitches • Transforming creative strategy into a singular, compelling and creative story• Executing design work to ensure the work meets our standards and client expectation🥕 𝗖𝗹𝗶𝗲𝗻𝘁𝘀: BBC, GSK, Samsung, Hyundai, Leapwork, AXA, Credit Suisse, Albelli Photobox, Aro (Fka. Freedom Finance)

Independent design practice, passionate about using ideas and craftsmanship to help businesses build compelling brands and communicate more effectively with their audiences. Working across multiple channels, specialising in brand identities, campaign identities and visual communications for a wide range of clients from small start-ups to established brands.💼 𝗥𝗼𝗹𝗲: Running the creative output, and managing small and medium sized client accounts for seven years (and running).🔗 𝗪𝗲𝗯𝘀𝗶𝘁𝗲: https://sampledwork.cargo.site/🥕 𝗖𝗹𝗶𝗲𝗻𝘁𝘀: Apploi, NewDay, Clockwork, Luna Labs, Google, LittleMinds

Growing from a series of acquisitions and mergers over the past 50 years, Sanofi has evolved into a diverse, multinational healthcare leader with a breadth of expertise in patient-centric solutions, scientific discovery and commitment to public health. However, the combination of numerous cultures and different brands resulted in a fragmented corporate identity that lacked coherence and modernity. 💼 𝗥𝗼𝗹𝗲: Working with the team in Paris to drive work and idea generation at the early stages of the design process. Pitching creative stages to both senior team members and stakeholder of the Sanofi client team.🥕 𝗖𝗹𝗶𝗲𝗻𝘁𝘀: Sanofi

Working contractually as part of the TikTok Creative Labs design team. My role as design director to oversee work from multiple partners across multiple workstreams - of all sizes. As TikTok made a conscious effort to establish more presence within Europe, as more than just a social platform - we worked on the following campaigns to establish this:Where the fans playTikTok has become a vibrant hub of sports content in the last two years with football content kicking off on the platform. In the last year alone, the daily consumption of popular sports hashtags has quadrupled to 1.5 billion video views daily.Chin UpTikTok looks back on a tough year with a campaign featuring Idris Elba, Maya Jama and Gordon Ramsay.In light of the atrocity that was 2020, the campaign utilises TikTok's popular "Point of view" challenge.

Facebook app needed a new universal look and feel, a full brand system that would capture the essence of the product and reflect the brand belief that people can do more together than alone.The brand system, designed to support the full range of marketing touchpoints, weaves colour, logo treatment, typography, motion, UI and imagery together to build a visual language that’s playful, expressive, dynamic and human. An identity that feels alive and active; positioning Facebook as a platform for positive action and celebrating the people who use it.💼 𝗥𝗼𝗹𝗲: Working with an agile design team at Mother Design. Completely remotely during the Covid19 pandemic. From initial pitch concept presentation, to creative development shares right through to finished guidelines and assets.🥕 𝗖𝗹𝗶𝗲𝗻𝘁𝘀: Facebook App

Edge computing is a faster, safer and more powerful way to process data. Permutive’s data management platform is proof. In a market packed with cloud competitors, they had an opportunity to become synonymous with the edge.💼 𝗥𝗼𝗹𝗲: Working as the sole designer in a small team at Ragged Edge. The identity had to pierce through cloud conventions. Pink, animated, and with progressive backgrounds that represent a constant stream of data. The visuals are punctuated by a clear tone of voice that cuts to the chase. Leading to a B2B brand big on feeling, rather than product features.🥕 𝗖𝗹𝗶𝗲𝗻𝘁𝘀: Permutive

🥕 𝗖𝗹𝗶𝗲𝗻𝘁𝘀: Google, Study UK British Council

🥕 𝗖𝗹𝗶𝗲𝗻𝘁𝘀: Virgin Voyages, Apple

The way in which customers interact with brands has changed dramatically. Today, on-screen, digital communications lead as the most common contact brands have with current and potential customers, something that is especially true in the world of technology.For Vodafone, with over 500 million customers worldwide, a new digital-first brand identity was needed to help reinvigorate their communications and bring messaging to life.A dynamic and ownable series of visual elements combine to form a new brand identity created with motion at its core, ready for life on screen.🥕 𝗖𝗹𝗶𝗲𝗻𝘁𝘀: Vodafone

During the 8 month contract with Wolff Olins, I played a senior designer role within multiple project teams. Working on visual identity systems for Hatta, Dubai (A national major tourism destination), Tesco Jacks (the smaller, simple store selling British produce), Credit Suisse (Switzerland’s largest bank).

🥕 𝗖𝗹𝗶𝗲𝗻𝘁𝘀: Worldpay, The Caravan Club, Virgin

🥕 𝗖𝗹𝗶𝗲𝗻𝘁𝘀: AB Inbev

Curious, collaborative and resourceful, we’re here to start conversations, encourage connections and help brands – and people – feel good about themselves.💼 𝗥𝗼𝗹𝗲: Delivering work by exploring challenges and opportunities, generating groundbreaking ideas, whilst developing craft and broadening skills.🛠️ 𝗥𝗲𝘀𝗽𝗼𝗻𝘀𝗶𝗯𝗶𝗹𝗶𝘁𝗶𝗲𝘀:• Playing an active role in the client team, • Supporting more Senior Designers and Directors from initial idea conception to final delivery• Bringing new inspirations and trends within the industry• Generating ideas beyond the expected• Presenting work to a variety of audiences🥕 𝗖𝗹𝗶𝗲𝗻𝘁𝘀: Royal Academy of Dance, LAMDA, Imperial College London

Starting as a small two person start-up in Manchester with big ambitions for the arts and culture sector. I joined early on as the first design hire, working directly for the founding partners as a junior designer. Over the following 4 years, the company grew in size and clients and projects became more challenging, exciting and full circle. Focusing initially on campaigns and identities for changing venues such as Henry Moore Institute (Leeds), Manchester Art Gallery, Imperial War Museum (Manchester and London). Then into branding accounts with popular tourism institutes such as Lyric Hammersmith (London), National Trust - Lake District. Finally, working with education sector clients such as Manchester University. By the completion of this four year period, my role in the company was more senior; responsible for overseeing more junior designers, developers and animators. Pitching to, and working alongside clients a regular occurrence. In 2013 the agency disbanded.🥕 𝗖𝗹𝗶𝗲𝗻𝘁𝘀: National Trust, Lyric Hammersmith, Henry Moore Institute, National Football Museum, Manchester City Gallery, Manchester Museum, Jackson's Lane, Imperial War Museum

First full role within design, hired from University graduates showcase. Although ‘magnetic’ is now a very different company; in 2008 I joined a highly experimental digital agency, designing and building web experiences for the likes of Manchester City Football Museum, Kellogg’s, Astra Zeneca and BBC.🥕 𝗖𝗹𝗶𝗲𝗻𝘁𝘀: Manchester City Football Club, Kelloggs, Astra Zeneca, BBC