On ad hoc basis. Responsible for overall station sound for mornings on talkSPORT. Ensuring highest editorial standards, top class guests and liaising with management and talent.

Producing the Early Breakfast show on talkSPORT. A fast paced digest of news and views from the day between 5am and 6am.

Producing talkSPORT 2’s exclusive live football output on a Saturday afternoon GameDay including EFL (predominantly Championship) matches at 12.30pm and our chosen 3pm Premier League commentary. (On some weekends these may be replaced by live FA Cup matches). My duty is to produce and tech op the output to keep it running smoothly, liaise with commentators and presenters about particular topics or angles, ensure consistent mic levels, ensure delivery of sponsorship and promotion requirements and line up and cue any audio that is to be played through the course of the afternoon. Operating the desk and running out commercial playout system Zetta is another important requirement of the role. Keeping on top of any audio irregularities, glitches or line drops and reacting where necessary is an important part of the job. It’s essential in a live sport environment to be unflappable and calm under pressure. Having worked on (and produced) many live football and other sporting events including boxing, UFC and American Football I am well versed in these requirements. The producer should be one step ahead at all times covering all possibilities so that issues are dealt with as proactively and not reactively as possible. The producer in advance must also liaise with the presenter to set up discussion points, audio clips, news lines and observations to produce the most comprehensive live football coverage anywhere on national radio. We take pride in setting the standard for UK broadcasters.Producing live football on a national sports radio station on a Saturday afternoon is a major responsibility and one I’m delighted to be trusted with.

Producer for GameDay: Your Verdict, the listener phone in show immediately following talkSPORTs live and exclusive radio coverage of Premier League or FA Cup football on a Saturday. I work with regular presenters Faye Carruthers and Gabby Agbonlahor (previously Laura Woods and Darren Bent) to editorialise topics and talking points from the day's football action and formulate them into a radio programme which generates calls from a wide spectrum of fans - some measured, some passionate and some irate on the talking points or their team's performance.We play (mostly exclusive) match audio from the day - sometimes in the form of live interviews), ensure we deliver Sponsorship and Promotion requirements and maintain a flexibility throughout to ensure we are breaking up-to-the-minute news and running with the narrative the day (and often the callers) dictate. Clips from the show are often used on talkSPORT’s social media channels the following day. We will also use special guests when required; for example if there have been a range of questionable decisions, we will ask a referee to come on. We might also be joined by former players to discuss the plight of one of their former sides, or a lower league expert to discuss the stories from the day in the other tiers. The show is pacy and dynamic and the best place for callers to have their say as they are driving home from a game.

Producer for the weekday overnight output on talkSPORT beginning in September 2017; namely 'Extra Time' from 1am to 5am Monday to Thursday (previously Monday to Friday) hosted by Paul Ross. Have also covered weekends in the past including some six hour shows (12-6) in previous incarnations.Responsibilities include coming up with themes and topics for programming, regular on air contributions, selecting and editing audio, formatting and structuring content, social media, promoting the show and the station, booking and suggesting guests, writing running orders, talent management, directing discussions, taking calls, making calls, cross promoting other stations and programming on the Wireless Group and introducing new ideas and features. Mostly working with one regular set up producer to ensure Extra Time remains a vital part of the talkSPORT output. Aims as a team include widening the reach of the show in terms of audience, guests and breadth of content and contributors and building a rapport with big names and brands in the sporting world particularly in geographic regions which are impractical for our daytime output - such as Asia, the Americas and Australia (areas where we also hold a considerable audience). Other key responsibilities include dumping offensive content and being familiar with Ofcom regulations. Predominantly working with main presenter Paul Ross (as of September 2019) Have worked with a number of other presenters during my time on the show including Adam Catterall, Will Gavin, Jordan Jarrett-Bryan, Geoff Peters, Ged Mills, Tom Latchem, Russ Hargreaves and Bob Ballard and I have co-presented shows with Olly Hunter.

Responsible for high quality audio output - operating faders, adjusting levels, producing and playing audio cuts, ensuring shows run to time, operating phones and producing content on both talkSPORT and talkRADIO.Key presence and member of the team on The Sports Bar as one of the team behind the glass with an on air persona. Key member of the production team on Extra Time with the Two Mikes and Early Breakfast with Geoff Peters - with on air contributions, editing packages, editing appropriate music, creating content, playing out audio and reacting to live problems (playing trails, ads, audio cuts and appropriate content). Also key contributor to other shows including Kick Off, the Players Lounge, and occasionally Drive where I have contributed audio, cues, copy, ideas, music, packages, audio and content in various forms. Contributed to Drive becoming the most listened to show on the station. Have become a respected, loyal, trusted, highly rated and highly valued member of the talkSPORT programming team in my first year with the company. I have very quickly moved up the ranks and have developed relationships and bonds with on air and off air talent in various positions from management downwards including presenters, producers and assistant producers from a number of different shows and days.

Co-presenter, broadcaster and on air producer/contributor for talkSPORTs overnight programming. Also contribute sports reports on the Late Late Early Early show with Paul Ross on talkRADIO and expertise on The Pro Wrestling Show podcast. Available for broadcast slots on radio and podcasts for sports programming or content; including a particular interest and expertise in football (especially the English Premier League), topical sports news, pro wrestling and MMA. Email to enquire: samuelkstevens@gmail.com

Freelance producer working across evening and weekend output including Extra Time, Saturday Scoreboard, Kick Off and The Sports Bar. Also shows on talkRADIO including: The Unexplained with Howard Hughes, Tragedy + Time with Bob Mills, the Michael Graham show, Mike Parry on Saturday and the Two Mikes. Expertise in content, show planning, guest booking, agenda setting, S&P, talent management, cue writing, audio editing, in and outlines, running orders, planning, idea generation and Ofcom regulations. Studio producing with set up responsibilities including guest time allocation, presenter cue sheets, guest preparation, contacts book building, forward planning and audio recording. Other skills include backtiming, audience appreciation, output knowledge and understanding and superb relationship building.

Producing and editing high quality audio across the Wireless Group's portfolio of stations for live shows, podcasts and audio packages. This includes: - putting together content features for Later with Anna Williamson, Bob Mills Tragedy + Time and the Motor Show on talkRADIO, The Two Mikes, Kick Off The Players Lounge and The Sports Bar on talkSPORT- Editing and producing podcasts of various shows including the Motor Show with Andy Jaye on talkRADIO and the Two Mikes on talkSPORT. - Editing audio for air, including a number of shows across the Wireless network with particular focus on streamlining and optimising sound quality and time critical sections on The Motor Show with Andy Jaye, the Best of the Radio Hustle with Alexis Conran, The Best of the Two Mikes, The Unexplained with Howard Hughes and The Sunday Roast with Barry Vera.- Creating audio 'taster' packages for pilots and demos of shows, trails, teasers and showreels.

Producing shows on Talk TV (talkRADIO) including ‘The Sunday Night Club’ featuring sporting news and comment, in vision guests accompanied by images and video where appropriate. Including booking guests, idea generation, budgeting, broadcasting, time and clock management and talent management.

Edit, produce, clip, package and publish the podcast and subsequent social media promotion of Planet Porky the podcast with Mike Parry and Lesley-Ann Jones. Up until January 22, I also worked on The Thought Police with Mike Graham and Kevin O’Sullivan until production moved in house. Duties include editing together raw audio, adjusting irregular microphone levels, packaging each episode with music, and mid roll commercial break stings and picking out funny clips to use at the end. I also write a detailed description of each episode and give it a relevant title before publishing through Audioboom. I also facilitate any sponsorship considerations and publish a subsequent audiogram clip on Twitter promoting a portion of the episode and signposting people to subscribe and download from their favourite podcast provider. I am trusted by the podcasters/presenters to do this job efficiently, consistently, thoroughly and with minimum fuss. I take immense pride in the consistency of the excellence of my work in this area.

Freelance set up, content and studio producer focusing primarily on the Motor Show with Andy Jaye and also working across a portfolio of shows including much of the weekend output; mostly The Unexplained with Howard Hughes and Bob Mills Tragedy + Time

As of August 2015 I act as coordinator of Bath City Internet Radio, Bath City Football Club's in house online radio station. We provide live match commentary and highlights of every Bath City match from the ground, and broadcast through our website (www.bathcityinternetradio.co.uk), Mixlr (www.mixlr.com/bath-city-internet-radio) and upload content onto our Soundcloud page (https://soundcloud.com/bath-city-internet-radio).I am fully responsible for the broadcast and written word output of the station. Along with putting pre match, half time and full time prerecorded content together (links, promotional tools, music and highlights) for the broadcasts, I also monitor and manage our social media feeds on Facebook, Twitter and Instagram. I combine this with my duties as match day commentator, summariser reporter and interviewer. We broadcast live from each ground and attract between 150 and 300 listeners per week. We regularly receive compliments from supporters (both our own and opposition) about the quality of our broadcasts and in particular our commentaries. We have massively increases our social media presence and the feel of our website this season, all of which I have played a key role in.Further work in the portfolio is providing match highlight edits for our live shows using editing software, and putting together and voicing the station's commercials. I have also produced live broadcasts, ensuring the levels of the mix are accurate and transitions between prerecorded and live are seamless. I am familiar with how an outside broadcast works and am happy in that often cramped and high pressure environment.I want to make BCIR the best non league online radio station around (voluntary or professional) and continue to put in hours honing my craft, improving the slickness of the operation and professionalising our service. Future plans include a podcast and more fan engagement.I am particularly keen on the broadcasting side as I believe it's my forte.

Tidying up and streamlining the raw audio of the Two Mikes' live shows and new On the Record Podcast (@twomikesotr on Twitter) Requirements for the live shows include:- Cutting up sections and piecing them together - Tightening up vocal tics and errors and creating seamless transitions between non radio friendly material (such as visual only cues - videos, images etc)- Adding music, clips and effects where required (additional section connecting applause for example)- Cutting audio to required timings- Quality control of the audio.- Packaging and the final product for either podcast or radio use. - If for podcast, uploading. If for radio, playing out. Requirements for the On the Record Podcast include: - Recording the audio- Quality control of audio (correct or corrected levels, adjusting vocal tics, removing coughs etc)- Trimming dead air (e.g. topping and tailing)- Packaging audio with music at top and bottom- Seamless cross fading between music and speech- Adding specifically chosen clips taken from the audio to the outro music bed to enhance the final product. - Uploading each thirty minute episode. Meanwhile I've also helped to create promotional videos with the Two Mikes for their live shows and business ventures.

For 2015/16 I am the Bath City FC reporter for the Bath Chronicle for most away games and the Non League Paper for home games.This involved turning around match reports to a very tight copy deadline, soon after the final whistle is blown. Reports for the NLP tend to be between 220 and 500 words depending on the type of report required while reports for the Chronicle mostly consist of between 450 and 500 word reports and then two separate pieces of post match/pre match quotes with manager and a player.Copy is turned around within two hours of the final whistle, within one hour on week day evenings.It goes without saying that copy needs to be accurate, consistent, entertaining and informative, aspects to which I believe I excel.On occasion, more than one report will need to be submitted. If this is the case, deadlines and expectations still apply. Please see attached for confirmation of my ability to undertake this unique challenge. These are both paid positions.

Inputting top secret data, highly accurately and quickly for genealogical website 'Forces War Records'. Website is subscription based and DEO's duty is to ensure that any information being entered is 100% accurate, ensuring that customers are not uncovering any factual errors about their relatives upon using the site. Good degree of English, typing accuracy, transcribing data and proofreading required.

Began by hosting a 70s show in November 13, then moved to presenting the Sport and Music show on a Saturday to excellent reviews. Now present the Friday late show as of September 14.2 hours of live music and conversation featuring several features, stories and competitions. Regularly receive requests and dedications.Operate own faders including own mic, various audio sources and guest microphones. Responsible for smooth transitions and consistent mix levels as well as juggling music from several channels.The FM licence is for Devizes and mid-Wiltshire on 97FM but we can also be heard around the world at fantasyradio.co.uk or on the Radio Player app.

Marketing Executive for meals on wheels or Community Meals. Working closely with the sales teams providing support for them in their duties with Local Authorities who are running or choosing to run a contracted meals on wheels service. Have implemented a number of key initiatives including a database of key contacts manually and contributing hugely towards our main event - National Community Meals Week where we look to promote the benefits of meals on wheels to senior dignitaries, polititicians, celebrities and the general public in order to drive support.

Setting up new customers, providing support for the healthcare division with sales information, company sensitive data and a range of product and pricing information. Processed weekly sales for directors and senior managers and processed key account watch of sales monthly. Also regularly input data to several key customers requesting sales information. Processed incomplete orders, shortages, PODs (proofs of delivery), and sample orders. Multitasking was required including scanning, shredding and maintaining our document storage systems Framework and Prism. Had responsibility for Direct Debits every week also, ensuring customers were paid accurately and on time each time.