We launched Together Films Sales, backed by the BFI Global Screen Fund, in 2023 to represent a slate of impactful feature films. Our current selection includes: ⭐ The Walk - Directed by Oscar Nominated Tamara Kotevska⭐ An Army of Women - Directed by Julie Lillesaeter⭐ Your Fat Friend - Directed by Jeanie Finlay⭐ White Nanny, Black Child - Directed by Andy Mundy-Castle⭐ TISH- Directed by Paul Sng⭐ In Camera - Directed by Naqqash KhalidYou can see full details… Show more We launched Together Films Sales, backed by the BFI Global Screen Fund, in 2023 to represent a slate of impactful feature films. Our current selection includes: ⭐ The Walk - Directed by Oscar Nominated Tamara Kotevska⭐ An Army of Women - Directed by Julie Lillesaeter⭐ Your Fat Friend - Directed by Jeanie Finlay⭐ White Nanny, Black Child - Directed by Andy Mundy-Castle⭐ TISH- Directed by Paul Sng⭐ In Camera - Directed by Naqqash KhalidYou can see full details of our selection here: www.togetherfilms.org/film-sales/ Show less

Together Films is a marketing and sales company serving the global film industry from offices in London & NYC. In 2023 we launched our international sales division supported by the BFI. I lead on the company strategy & vision, and consult with a range of partners to increase their reach, revenue, and social impact. Throughout the last few years this has included: Films: Acted as the Impact Producer, Consultant, Social Media Manager, Fundraiser, and/or Distribution Manager for a range… Show more Together Films is a marketing and sales company serving the global film industry from offices in London & NYC. In 2023 we launched our international sales division supported by the BFI. I lead on the company strategy & vision, and consult with a range of partners to increase their reach, revenue, and social impact. Throughout the last few years this has included: Films: Acted as the Impact Producer, Consultant, Social Media Manager, Fundraiser, and/or Distribution Manager for a range of award-winning films including: ⭐ Unrest (2017, Sundance, SXSW, Sheffield DocFest, Oscar Shortlisted)⭐ For Sama (2019, SXSW, Cannes, Oscar Nominated)⭐ Battleground (2022, Tribeca)⭐ To The End (2022, Sundance)⭐ Roll Red Roll (2018, Tribeca)⭐ 2040 (2019, Berlinale, IntoFilm)⭐ Artifishal (2019, Tribeca)⭐ In My Blood It Runs (2019, Hot Docs)⭐ Each year I work with an estimated 200 filmmakers across labs, mentorships, and consultancies. Film Festivals: Acted as the Marketing Director for some of the world's leading Film Festival brands including: ⭐ Sheffield DocFest (UK's largest documentary film festival and market)⭐ DOC NYC (America's largest documentary film festival)⭐ Human Rights Watch Film Festival (London & NYC)⭐ Athena Film Festival (in partnership with Melissa Silverstein/Women & Hollywood)I also consult with a range of festivals on marketing, audience, operations, and technologyIndustry: In addition to our own industry resources including the Digital Perspectives webinar and the Digital Power webinar, we also consult with a range of industry clients to support technology, operations, marketing, and audience growth including: ⭐ Centre for Media & Social Impact supported by the Perspective Fund (Digital Power Webinar)⭐ Sony (Virtual Screenings/Q&As)⭐ Patagonia (Brand content distribution strategy)A lot of our industry clients and briefs are confidential. If you are seeking support across the above areas, reach out today to see if we can help. Show less

I produced the feature documentary They Will Have To Kill Us First (Directed by Johanna Schwartz). The film premiered at SXSW, screened at the London Film Festival (on my 29th birthday!), and was acquired by BBC Worldwide. I also consulted on the featured documentary Planetary, which also premiered at the SXSW. This was a wild time of fundraising, tax credits, distribution negotiations, sponsorship, partnerships & premieres.... I admire all producers currently working in independent… Show more I produced the feature documentary They Will Have To Kill Us First (Directed by Johanna Schwartz). The film premiered at SXSW, screened at the London Film Festival (on my 29th birthday!), and was acquired by BBC Worldwide. I also consulted on the featured documentary Planetary, which also premiered at the SXSW. This was a wild time of fundraising, tax credits, distribution negotiations, sponsorship, partnerships & premieres.... I admire all producers currently working in independent film. It's not an easy path to take. I may return to producing in the future, or most likely as an Exec Producer with my own fund (an ambition I have for later in my career). I am no longer actively producing, and instead focussing on how we can enable the sector. Show less

The first few years of Together Films I acted as a freelance consultant for the documentary industry advising on impact campaign development, marketing, distribution & fundraising. Clients included Leave To Remain (LFF), Documentary Campus, and EsoDoc. During this time I also took part in the NFTS course "Creative Business for Entrepreneurs and Executives" (Jan-Dec 2016).

As the Partnerships Manager I built relationships with various stakeholders for the Foundation including; NGO's, Charities, Brands, Funders and policy makers in order for our film to make an Impact. I ran BRITDOC Films, the distribution arm of the Foundation, with Ping Pong and One Mile Away as the first titles to be released. As part of my role I had experience with:-Impact Distribution Strategy; Advising filmmakers on how to work with non-traditional partners; campaign goals;… Show more As the Partnerships Manager I built relationships with various stakeholders for the Foundation including; NGO's, Charities, Brands, Funders and policy makers in order for our film to make an Impact. I ran BRITDOC Films, the distribution arm of the Foundation, with Ping Pong and One Mile Away as the first titles to be released. As part of my role I had experience with:-Impact Distribution Strategy; Advising filmmakers on how to work with non-traditional partners; campaign goals; fundraising; budgeting and evaluation-Traditional Distribution - Theatrical, Non-theatrical, Online and Broadcast-Budgeting and Finance-Marketing - Social Media campaigns, website development and maintenance; Design commissioning and management. -Audience Engagement and outreachI devised and managed the Ping Pong Care Campaign (www.pingpongfilm.co.uk/campaign), after securing a grant of £300,000 from the Big Lottery Fund to fund a 12 month film screening programme in the UK. Managing two project staff in London, hosting 9 awareness events nationally and orchestrating 2500 screenings of the film Ping Pong. For One Mile Away (www.onemileaway.co.uk), as part of the work with the film, I also advised the cast members on setting up their own social enterprise. Aiding them with business development, budgeting, fundraising, stakeholder engagement and marketing. The film was able to bring a large focus to the organisation and we utilised this to create sustainable work for the men in Birmingham. Show less

Following on from my time with Working Films, I managed the day to day runnings of GoodScreenings.org - an online screening license programme that allows audiences worldwide the ability to screen feature documentaries. I built up library titles and combined with leading campaign groups, such as the 'Equals Campaign' headed by Annie Lenox. Encouraged non-traditional partners such as Barclays Bank to use film as a way to speak to customers and staff alike to raise awareness of important issues… Show more Following on from my time with Working Films, I managed the day to day runnings of GoodScreenings.org - an online screening license programme that allows audiences worldwide the ability to screen feature documentaries. I built up library titles and combined with leading campaign groups, such as the 'Equals Campaign' headed by Annie Lenox. Encouraged non-traditional partners such as Barclays Bank to use film as a way to speak to customers and staff alike to raise awareness of important issues. During this time I was also the Good Pitch Europe Outreach Director; bringing in partners for film campaigns to our flagship London event. This involved securing 80 senior figures from Foundations, NGOs, Philanthropy, Brands and Media to join film campaigns for social change. The Good Pitch events (in London, New York and elsewhere) have since gone on to raise over $20M in production and outreach funders for over 200 films. Show less

I managed the UK office for the US based Working Films. Conducting Impact Distribution strategy consultations with filmmakers, researching campaign objectives, advising on fundraising activity and event management at venues such as the Frontline Club and Sheffield DocFest.

Worked with Green Lions, supported by the Joseph Rowntree Reform Trust, in order to engage partners on the release of Erasing David. Positioning the film within the context of privacy campaigning and dialogue, and enhancing the campaigning positions of partners such as NO2ID.

Assisted distributors Dogwoof by setting up marketing initiatives around the theatrical release (including stakeholder engagement and Q+A's). I negotiated an online distribution deal for a new series of shorts from the Yes Men, and look after their UK non-theatrical screenings and NGO relations.

Commissioned the 'Innovation' strand of the festival including an Arts Council funded MediaScape that ran in St James Park (using GPS to edit together a short film based on your walk around the park); panel on motion capture technology at Pinewood studios including producing a short documentary with the English National Ballet as they tried the new technology. Responsible for the live score performances at the BFI for the 'Sounds and Silents' strand.