Creating and delivering online audio curriculum for media, music and games.

Spring 2020-Present Load: 0.6Developed and taught lectures and labs for audio courses in Radio-Television-Film Department centered on Production and Post Production Sound utilizing Avid Pro Tools and Adobe Audition. Advised on equipment purchases and Pro Tools setup.

Spring/Fall Load: 0.283• MUSX 174/175 Advanced Pro ToolsPro Tools 110/201 Certification Course. Digital audio techniques for post production and music. Recording voice-over and ADR.• MUSX 120 Live SoundSound reinforcement for live events, Basic signal flow and microphone placement

Sound design and editorial for film, TV and Video Games. Includes work at Studio Trilogy, Skywalker Sound, American Zoetrope, Transmedia and Polarity Post. Film work has been screened or won awards at Cannes, Sundance, San Francisco , New York, and Los Angeles/AFI International Film Festivals. Television work has shown on ABC, PBS, A&E, Lifetime, National Geographic and the History Channel. Studio and Live/Remote music recording. Music projects for film scores and commercial release include recordings at 25th Street Recording, Dolby Labs, Studio Trilogy and others. Recording and mixing of local rock, jazz, pop artists. Recorded orchestral sessions with members of the London and SF operas, SF and Marin Symphonies. On-location dialog and effects recording, sound mixing and boom operation for film,broadcast and industrial productions.Advise music clients on building and utilizing social media fanbase and musician connections for fundraising and promotion, arranging digital and/or distribution and placing music on streaming media platforms, and setting up publishing, royalty collection and synchronization. Negotiate music synchronization contracts with music supervisors and television producers.

Associate Professor, SAE Expression College (June 2021 – Present)Assistant Professor, SAE Expression College (May 2019 – June 2021)Instructor, SAE Expression College [Ownership Change] (June 2015– May 2019)Spring 2020-Present Load: 0.8May 2006-Dec 2019 Load: 1.0Full-time Lecturer/lab instructor in Audio for Bachelor's Degree program. Developing classroom and laboratory curriculum. Use of student feedback surveys and data analytics tools to assess and improve student engagement, success in achieving learning outcomes. Develop classroom and lab curriculum, using Camtasia, PowerPoint and Tableau. Classroom management with Instructure Canvas and Campus Nexus Learning Management Systems (LMS)

Develop classroom and laboratory curriculum for an accredited Bachelor's Degree program. 10 hours of weekly classroom lecture, 24 hours of laboratory. Managing and training Lab instructors. Use of data analytics tools from Learning Management System with Excel to maximize student outcomes and adjust curriculum requirements. Project management of 12-15 music recording projects per year with Trello, Toggl Timer and Google G Suite. Creating schedules and teaching agreements for the Sound Arts/Audio Departments, encompassing 22 teaching staff, 42 classes some with multiple sections, and 28 studios and classrooms using Google G Suite and CBS. Course topics include production and post-production audio for films and TV, sound design, media aesthetics, basic audio production, digital audio workstations and capstone album production project. Avid/Digidesign certified Expert instructor in both Post and Music. Enrollment, setup and logistics for Avid Learning Partner (ALP) program and certified User exams for two campuses. Interdepartmental liaison between instructional staff, IT and management to make sure computer hardware and software needs are met for Sound Arts and Avid Learning Partner programs. Managed audio software licenses for 70+ machines on 2 campuses.

Sweetening location and interview dialog for national network television programs. Music editorial and placement to picture, reporting to Sound Supervisor for licensing and clearance. Working with advertising agencies and broadcast production creative teams. Mixing to current ATSC/CALM Act loudness standards. Recording and editing voice-over.

Audio engineering for Television, Radio and Video Games. ADR and voice-over recording. Commercial Production, working with advertising agency creative teams to edit copy, direct voice talents to create award winning broadcast spots. 5.1 Surround Sound Mixing. Repair and troubleshooting of audio and video equipment. Music Supervisor: Selecting, editing, and licensing music for synchronization in broadcast and advertising projects. Connecting clients with composers of custom music.

Localization. Recording, mixing and editing dialog replacement for advertising, television programs, video games and corporate projects. Recorded Dialog for video game titles "SOCOM" (Sony) and "Dynasty Warriors 3" among others. Machine control and layback to video. English language and foreign language dubbing. Directing voice talents of diverse backgrounds, levels of experience and confidence. Recorded dialog in over 25 languages.

Recording, editing and mixing commercial spots for number one music station in a top 5 radio market. Directing and recording voice talents. Editing advertising copy for radio spots. Use of Digital and analog editing techniques. Digidesign Pro Tools.

On-air talent and commercial production.

Overseeing the programming department of a hard rock/Album Oriented Rock (AOR) radio station. On-air and production voice over.Mentoring new disc jockeys. Selecting new content for music library and setting rotation based on listener feedback. Reporting top 25 charts to College Music Journal (CMJ), Foundations Forum, and Gavin Report. Keeping music logs for ASCAP. Analog tape editing.