Developed a strategy for Genndy Tartakovsky’s hand-drawn animated film “Fixed” while ensuring an early final delivery• Established a global tracking pipeline for over 1300 scenes across 6 departments and 4 international studios• Trained and mentored coordinators to maintain a database for live reviews, notes, versioning and scene statuses• Devised the technical delivery specs from ToonBoom’s Harmony to Avid to DaVinci’s Resolve for all 4 studios• Review and approve weekly time cards for artists, production and editorial teams

Spearheaded Animation and Post Production for Sesame Workshop’s “Play To Learn”• Produced 140 5-minute episodes using iconic Sesame Street characters in their first fully animated format• Managed client, director, and vendor relations to cast assignments, establish global deadlines, and analyze efficiency • Developed and maintained a tracking pipeline for art and animation while mitigating team resources• Analyzed critical input from cross functional teams and implemented solutions to increase production speed by 25% • Predicted inventory issues and communicated daily status of work to Executives, Managers and Vendors

Lead an animated series for Age of Learning to be distributed worldwide to 3 million subscribers• Produced 1000 minutes of curriculum-driven 2D animation across 7 series under 12 months within budget• Recruited, supervised, trained, directed, and reviewed 30+ employees creative work from 6 time zones worldwide• Initiated and managed vendor pipelines to hit weekly goals for accurate project delivery • Developed and maintained a global tracking system for production from scratch records through post production

Compiled commercial spots within the Looney Tunes universe using hand-drawn elements inside After Effects• Composited 120 seconds of content onto 40 uncommon shaped screens for the ATT business park lobby in Texas• Integrated animation with live-action footage for a partnership between Etihad Airways and Warner Bros. World• Composited an animated short film collaboration between KITH x Looney Tunes Collection

Worked in Adobe's Character Animator, creating a pipeline to rig and produce 7 episodes for "Body by Ralph," a Social Media cartoon personality with 200,000 followers on Instagram. • Improved animation efficiency by 500%, animating a 60 second episode in a single day.

Bojack Horseman (Season 06) with ShadowMachine

Supervising Compositor for an animated comedy "Human Discoveries" distributed on Facebook Watch• Championed both in-house and overseas teams spanning 10 episodes for over 220 minutes of animation

Tuca & Bertie (Season 01)Bojack Horseman (Syndication)With ShadowMachine

Created Storyboards for a Live-Action EPK pitch packet with Paramount Pictures

Spearheaded a pilot series for Nickelodeon, “The Jojo & BowBow Show Show”• Managed 6 teams concurrently: Storyboards, Design, Animation, Compositing, Editorial and Production crews• Cultivated and empowered creative teams to produce proven results on time and within budget

Bojack Horseman (Season 05) with ShadowMachine

Created storyboard animatics in Adobe’s Flash for “Bojack Horseman” Season 5 for distribution on Netflix• Collaborated with Supervising Directors to brainstorm new compositions, staging and character acting for clarity• Conceived new backgrounds, props and character designs to help define the art department asset creation scope

Revised storyboard animatics in Flash/Animate for $1 billion educational client Age of Learning• Improved 220 episodes in 30 worlds for more than 800 minutes of web content on www.ABCmouse.com• Collaborated with team leads to brainstorm new compositions, staging and character acting for clarity• Trusted to redraw characters for more appealing poses and edit timing for better overall flow• Built 12 animatics for Warner Brother’s “The Tom & Jerry Show” Season 3 while pitching new gags to Director

Partnered with Feature Film Director from green-light start date to last day of delivery• Managed 10 story artists and 6 editorial staff during the production of Disney’s “Planes: Fire & Rescue”• Composed daily story and editorial notes from Director, Story Trust, Talent Records and John Lasseter• Spearheaded shot production pipeline of over 1,200 shots from storyboards to final stereoscopic delivery• Supervised all editorial sessions for 7 executive screenings over 3 years

Co-Created and pitched an animated pilot to Disney, Nickelodeon, Cartoon Network and Amazon Studios• Wrote an 11-minute pilot to accompany the story bible and treatment packet

• Developed an animated short funded by the National Science Foundation to educate the public on a recent hypothesis from the University of Arizona

Supported the Asset Manager through all stages of the Flash television pipeline for distribution on Cartoon Network• Helped create and maintain a searchable database of 20,000 shots for the first 2 seasons of “The Mr. Men Show”• Revised 2 storyboard animatics and created 40 scene transitions with guidance from TV Director

• Created a one-minute short for the graduate cinema project “Better Red Then Dead” to be screened at film festivals around the nation

• Presented unique props, backgrounds and stage elements for each music video using limited art budgets

• Managed public relations between Red Bull’s fast growing energy drink franchise and 15,000 USC students, alumni and faculty

• Provided administrative support for Over the Hedge, Flushed Away, Shrek the Third, How to Train your Dragon and Bee Movie

• Wrote script coverage for Manager of Development and participated in weekly development meetings