I am responsible for the staffing, organizing, communication between clients and staff, subrental sourcing, and on-site management of all Audio-visual aspects of special events in New York City. I am responsible for inventory management, quality control, and system design of all audio components.Equipment & Software Used:Yamaha CL3Allen & Heath SQ & QUL-Acoustics Speakers & AmplifiersShure Axient, ULXD & PSM1000 Wireless Audio SystemsDPA MicrophonesDante Controller & Virtual SoundcardL-Acoustics LA Network Manager & SoundVisionWireless WorkbenchVectorworksPliant Crew-Com Wireless IntercomQSC Speakers

We aspire to improve the sonic experience at all types of shows in the entertainment industry and beyond. We support continuous education for state-of-the-art knowledge of the equipment we use and techniques utilized to achieve this goal. I am responsible for planning logistics and designing sound systems, integrating audio/visual systems, transporting, deploying, and operating these systems, as well as subcontracting additional labor and equipment. I have expanded my services to include live-streaming, audio and video recording, editing, and mixing. For certain clients I also create visual media content, manage media distribution (including records), create show rundowns and manage show-calling during events. I am always client-facing and often interact with executive level members of my client's organizations. CLIENTS INCLUDE:AV Lancer, Blue Hill Troupe, Canary Club, C3 NYC, FS-ISAC, Hank Lane, Haswell Greens, Long Island University, Shining Light Ministries, Success Academy, T.3 Music, Town & Village Synagogue, and others.Equipment & Software Used:Allen & Heath S3000, Avantis, SQYamaha CL5, QL5, Digidesign D-ShowMidas M32/Behringer X32Allen & Heath MixWizard 16Soundcraft SI Expression, Ui16Presonus RM32 & CS18aiAshly DigiMixEAW SpeakersYamaha SpeakersEV SpeakersJBL SpeakersQSC SpeakersShure QLXD Wireless Audio SystemsSennheiser Wireless Audio SystemsLectrosonics Wireless Audio SystemsDPA MicrophonesClear Com FreeSpeak II Wireless IntercomSoundDevices Field RecordersZoom Field RecordersRoland Field RecordersSony CamerasBlackmagic ATEM MiniMac ComputersQuickbooksGoogle SheetsMicrosoft PowerpointZoomShoflo/Cvent Rundown & StudioAdobe PremiereFinal CutLogicSmaartWireless WorkbenchTouchstone (RF Venue)

BD Entertainment, a brand of Blue Devil Performing Arts, is "the vanguard of technological advancement in the drumline world." I contribute my skills in live sound reinforcement for this percussion-centric entertainment ensemble at a wide variety of events including professional sporting events (NFL, NBA, MLS, etc.), TV (Good Morning America, NBC, etc.), and corporate conferences (Walmart, SAGE, T-Mobile, Loews, Robin Hood, etc.). I have mixed pregame and halftime shows for the NY Giants at Metlife Stadium, NYCFC at Yankee Stadium, and the Patriots at Gillette Stadium.I have been the Audio Engineer and Production Manager for the NY Giants Drumline for 7 seasons. The scope of work includes advance coordination with Audio/Visual personnel at the venue, preparing instruments and audio equipment for performances, editing and mixing backing tracks, transporting, deploying, and operating audio equipment, training and leading a small production team during game days. We also provide unique ensembles for corporate events throughout the country. I also maintain and design shows for our proprietary drum-wrap LED system.Equipment used:Yamaha DM3Yamaha 01V96iPresonus StudioLiveRandall May Internal Miking SystemShure Axient & ULXD Wireless Audio SystemsSennheiser Wireless Audio SystemsWireless WorkbenchLogic ProPro ToolsMadrix

As an Audio Technician on the Audio/Visual team for Corporate Events, Concerts and Musicals, I am responsible for wireless microphone frequency coordination, deploying and maintaining PA-systems, operating audio consoles, triggering sound cues, assigning and fitting microphones to presenters, and interfacing with the rest of the Audio/Visual team as well as clients.Equipment Used:Yamaha CL5Yamaha QL1Allen & Heath C1500Midas M32Shure Axient Wireless Audio SystemsSennheiser Wireless Audio SystemsMiPro Wireless Audio SystemsDPA MicrophonesD&B Audiotechnik Speakers and AmplifiersEV SpeakersDante ControllerQLabWireless WorkbenchClear Com FreeSpeak II Wireless Intercom

As part of the flexible Stage Operations Crew, I provide live sound reinforcement, recording, lighting, camera operation, projection, and stage management for concerts, theatre, dance and events at Shea Center for the Performing Arts and the Black Box Theatre. Equipment Used:Yamaha CL5Yamaha M7CLL-Acoustics Speakers & AmplifiersShure Wireless Audio SystemsETC ElementVaddio PTZ Camera + NDI Control Software

A2 for 7-week production of "Guys & Dolls"• Prepare wireless microphones for theatrical performance• Monitor RF and troubleshoot when problems arise• Installed Audio System, Lighting Instruments, ClearComm System, Scenic elementsA1 for various concerts and eventsStagehand and Electrician for various concerts and eventsEquipment Used:Midas Pro2Sennheiser Wireless Audio SystemsCountryman MicrophonesClear Com Tempest Wireless Intercom

Provide FOH and Stage monitor sound reinforcement and operate stage lighting for a variety of Music groups.Provide Audio-Visual support for private parties & corporate functions.Equipment used:Midas Pro 2cMidas Venice

Provide FOH and Monitor sound reinforcement and operate stage lighting for a wide variety of Music groups, festival style.Equipment used:Presonus StudioLive 16.0.2

The Glenn Miller Orchestra performs around the United States, Canada, and Japan, playing the same music that has been world famous since the 1930s. This group has been touring continuously since 1956.I was the double bass player, rhythm section leader, and sound engineer. Crew duties include loading and unloading equipment from the bus, setting up, operating, and maintaining audio equipment, and generally making the stage look as presentable as possible.Equipment used:Mackie VLZ 1604 Pro

Provide FOH and Monitor sound reinforcement to a wide variety of Music groups, as well as comedy. Equipment used:Presonus StudioLive 24.4.2

• Recorded various faculty and student recitals and large ensemble concerts.• Provided live sound reinforcement at orchestra, choral, and jazz band concerts, Dimensions in Jazz Festival and various local shows.• Archived all recordings to digital server.• Engineered private recording sessions for audition tapes, as well as full marching band and drum-line CD (performed indoors).When promoted to Team Leader position in second year, I assisted in training new employees.Equipment used:Yamaha DM-2000Yamaha OM1VDigidesign IconProTools 10 HDAlesis MasterlinkJoeCo BlackBox Recorder

Summer Production Services:• Provided live sound reinforcement and lighting designs for national touring acts and various faculty and camp concerts, meetings, and theatrical productions.• Sound systems range from personal PAs to touring rigs. • Lighting includes Follow Spots, conventional and LED lighting rigs. • Assisted road crews with load in, loud out, rigging, staging, and strike.• Coordinated audio set-ups with recording services.• Operated camera and switchboard for webcasts.• Provided and operated projection services.• Outfitted performance facilities for dance exhibitions.• Installed A/V system in meeting room.• Kept equipment inventory.• Transported equipment around campus via Penske truck.Special personal opportunities:• Monitor engineer for G-Love and Special Sauce in Kresge Auditorium• Follow spot operator for renowned lighting designer Libby Gray with StyxWhen promoted to Lead Tech for my second summer, I assisted in training new employees and took on greater production responsibilities and opportunities.Equipment used:Midas XL200Midas Heritage 3000Yamaha PM5DAvid SC48Avid ProfileYamaha MGP 16XYamaha EMX5016CFAllen & Heath MixWizard3 16:2

• Provided P.A. support for local and touring bands.• Mixed live sound- FOH and Monitors.• Provided house music (quasi-DJ) after bands finish until the bar closes.Equipment used:Mackie SR 24 4