Shannon Benna Email & Phone Number

Omaha, Ne, Us

San Jose, California, Us

A point of convergence for Women who work, live & celebrate immersive media! Our focus is synergy and support of Women in immersive media via mentorship, education & community.We are directors, stereographers, editors, producers, writers, photographers, scientists, educators and artists - and we welcome all women who have a passion for exploring this new dimension of entertainment! To join or for more information contact us info@stereosisters.com or look for us on FB, Twitter, Tumblr or YouTube

Production and production/post-production support services for film and television, specializing in technically challenging and high-visual concept projects.

Austin, Tx, Us

Bloomington, Indiana, Us

Guest Speaker for University of Indiana's Stereoscopic 3D production class discussing 3DIY solutions, emerging S3D distribution platforms and 3D as a storytelling medium, theory of use of space and depth.

Managed long term and short term operations of post production department for multiple/contiguous web-series, docu-style reality TV programs, promotional spots, music video and feature film. Responsible for hiring/firing of staff, pipeline technology design and workflow management of analogue+digital post production facility, including ingest through final delivery of all elements. Additional coordination and delivery support for associated, off-site post production facilities.Facility services included digitizing, transcoding, creative and technical editorial (Final Cut/Avid/Adobe), online conform, color, finishing, motion graphics, & master element creation.

Foothill Ranch, Ca, Us

Design, produce, and instruct at 2 week digital cinema camp held for 8-16 yr olds at RED Studios in Hollywood. Each 1 week session accommodated up to 40 students throughout multiple sessions. The objective was to educate students on stereoscopic concept and imaging basics using RED digital cinema cameras paired with 3ality 3D rig and technology, then apply concept to practical 3D production. Students were required to shoot short script using collaborative creative process incorporating use of 3D storytelling into technological digital filmmaking process. Students then edited and finished short 3D piece for inclusion in week's end screening.

Consultant for development of directed algorithmic process designed for 3DTV library title conversion with Chuck Comisky. Clients include: Starz, Sony International, HBO, Warner Bros.

Foothill Ranch, Ca, Us

Design, produce, and instruct at 2 week digital cinema camp held for 8-16 yr olds at RED Studios in Hollywood. Each 1 week session accommodated up to 40 students throughout multiple sessions. The objective was to educate students on stereoscopic concept and imaging basics using RED digital cinema cameras paired with 3ality 3D rig and technology, then apply concept to practical 3D production. Students were required to shoot short script using collaborative creative process incorporating use of 3D storytelling into technological digital filmmaking process. Students then edited and finished short 3D piece for inclusion in week's end screening.

Development & management of full rotoscope 2D>3D conversion pipeline for animated feature film. Including coordination and tracking of all elements, management of conversion QC, artifact correction, editorial, final compositing and final delivery of left and right master elements. Chuck Comisky, Stereoscopic Supervisor.

Stereoscopic Supervisor and on set Stereographer in charge of native S3D production & image capture for Global Asylum's 3D horror feature.

Consultant to Discovery Communications for 3Net launch.Producer for “Upfront Campaign 2010” including native S3D production, content licensing, graphics, finish & delivery. Development of ENG 3D production workflow including hardware, dataflow, crew structure, & post production.Consulting Producer responsible for "Step Up to 3D" budgets, production & post workflow for pre-existing Discovery content. Managing Producer for development of Stereoscope’s original 3DTV programming slate including pitch media, budgeting, scheduling & post workflow.

Production Support for international 3D Concert movie production.Coordinator responsible for on location (Trier, Germany) logistics, travel, transportation & talent relations for Phil Driscoll concert w/ subsequent native 3D shoot, in collaboration w/ 3ality. Stage Mgr for live performance including AD duties.

Project manager for 360 interactive training simulator; from multi-cam acquisition through post production/delivery of completed interactive program to Dept of Defence.Managing producer responsible for daily studio admin including facility staff mgmt, office logistics and organisation/coordination for post-production sessions, screenings, events, seminars, demos, sound stage shoots & pitches. As well as multiple, simultaneous 2D & S3D projects in various stages.

3D Events, Productions and Consulting.

Co-producer charge of logistics, coordination and set management of native S3D production shoot included dual HD camera rig, bicycle & car rigging. Assist in development of 3DIY pro-sumer stereoscopic production/post-production workflow.

Digital asset management and script supervision for reality internet TV show based around development of the first P51 Mustang 3 ship aerobatic flight team. Included logging past footage from shoots and assisting with developing asset management workflow.

1st 3D Independent Film Expo held as part of the Paso Robles Digital Film Festival (Nov. 20-25). Featured independently produced stereoscopic content including shorts, animations, documentaries, music videos, and various forms of fine art. Also featured a 3D DIY panel (w/ world-renowned 3D guru Ray "3D" Zone) and a stereoscopic production workshop by Paul Taylor. Currently taking sponsors for 3DIFE '09.

Burbank, Ca, Us

Project coordinator in charge of multiple/simultaneous location production shoots. Responsibilities include organization/coordination of production logistics, post-production (incl. footage/music licensing, graphics & animation). Clients include: Motion Picture Association of America, National Multiple Sclerosis Society,Fox, Sony, Disney, and DreamWorks SKG.

All aspects of Production: development, pitch, funding, budgeting & scheduling for principal photography; Coordination of pre-production, production, post production, (technical, logistical, talent and crew). Coordination & execution of film & digital productions (incl.): Live streaming events, shorts, documentaries, TV series, new media serials, webisodes, commercials, B2B content, features, and franchise productions. Business plan development, budgeting, and structuring. Niche marketing production and coordination including website and graphic design, for Internet publicity and multi-media promotional products. New Media and web integration including campaign creation and branding, creative consultation, graphic design, layout, photography, color correction & delivery. Technology consultation for development of Hi-Def online streaming video delivery platform Neokast.com.

Executive in charge of pre-production, production, post production (technical, logistical, talent and crew (all ages), for Children’s Media Department. Head of Development for programs story, characters, merchandising, promotion & marketing. Responsible for script, funding/business plan, budgeting, scheduling, talent attachment, production of program & deliverables, associated merchandising and promotional materials. All projects intended for cross-platform distribution with niche marketing campaigns including web presence and branding, Internet publicity and multi-media/interactive promotional products. Projects include: animated features and franchise TV/Web series, action, adventure, sci-fi/fantasy films, book adaptations, family comedies, and mixed media content.

Creative consultant for all artistic elements of show including character and story development, program content and core curriculum. Created pitch, business plan and promotional package for children's TV/Web series including: production model (stage and set design, creature creation, talent attachments, multi-season development) branding, marketing materials, promotional reels for talent, and cross-platform distribution model utilizing new media & Web integration.

Production of VFX (visual effects) including: animated, 3D and 2D main-title sequences, commercial spots, corporate branding graphics and design. Programs included Shake, Quake, Maya, After Effects, Houdini, Cinema4D, LightWave 3DS Max) Clients include: Joel Silver (The Reaping), Sony, Sam Raimi (Spiderman 3), Across The Universe, The Academy of Motion Picture Arts and Sciences, Heineken, ESPN, BlueCross/BlueShield and The Guardian, London.

Us

Overseeing manager of all aspects of production: development, pitch material creation, budgeting, scheduling & principal photography for film & digital productions (incl.): shorts, music videos, documentaries, & features. Responsible for coordination of pre-production, production, post production (technical, logistical, talent and crew). Head of music video marketing and distribution: film festival liaison, acquisition of outlets on a national, local and regional level. Niche marketing strategy and coordination and including website and graphic design, for Internet publicity and multi-media promotional products. Additional duties: creative consultation, copy writing, graphic design, layout, photography, videography, color correction & print delivery.

Education record

Education record