- Developed and managed budget and schedule for a complex marlin fishing project - Led pre-production efforts, including budgeting, hiring, and logistics- Monitored and controlled costs throughout production lifecycle

- Designed budget and schedule for a 3-part true crime series.- Collaborated with government officials for trial coverage and legal access - Managed production logistics in high security correctional facilities• Produced robust re-creations

- Developed budget and shoot schedule for marketing promo for the movie "The Blackening"- Daily cost tracking from pre production to final delivery- Supervised set build, worked closely with AD department

- Spearheaded all aspects of physical production, including budgeting, hiring, and daily set management- Tracking all costs from pre production to final delivery- Work closely with high profile talent

-Spearheaded all aspects of physical production, including budgeting, hiring, and daily set management-Managed live to tape music studio shoots-Tracking all costs from pre production to final delivery-Work closely with high profile talent-Implemented all remote pre pro and post work flow

- Created budget and schedule for 30 min scripted comedy- Worked closely on all contract negotiations, including cast and crew- Tracking all costs from pre production to final delivery- Managed Post Production as Post Supervisor- Create cost reports, manage payroll- Implemented Covid-19 best practices working with IATSE and SAG on set

Executive Producer/Creator UNTITLED PARLIAMENT FUNKADELIC PROJECT- Developed concept for a docu follow series with the band Parliament Funkadelic- Documented and followed PFunk on a European/US tour- Spearheaded all aspects of physical production, including budgeting, hiring, and daily set management on location in Europe and major US Cities- Completed and pitched sizzle reel to multiple production companies and networks to raise funding to complete the project

- Successfully created show structure and budget for 10 one hour episodes - Worked closely with talent contract negotiations until show was shut down due to Covid

Executive Producer ALASKAN BUSH PEOPLE, SEASON 2 thru 8 Spearheaded all aspects of physical production, including performing budgeting, hiring, and daily set managementCreated a thriving production facility in the Alaska wilderness completely off the gridWorked closely with talent contract negotiationsTracked all costs from pre production to final deliveryWorking in tandem with the creative team generating and implementing story ideas

-Successfully created show structure and budget for 10 one hour episodes-Worked closely with talent contract negotiations

Led development, production and post production at busy television production company, with primary responsibility for allocating and tracking budgets of up to $5M, developing shoot and post schedules, hiring above and below-the-line crews of up to 40, selecting equipment and negotiating rentals, and scouting and securing locations nationallyApplied expert financial management and time management skills to keep projects on time and under-budget, despite reduced budgets for new seasons.Conceived and implemented daily operational infrastructure and practices for internal team of up to 50, including developing the post-production department from the ground up. Use industry expertise and network to secure exceptional talent for crews and rates from vendors Produced 15-episode web series with original content to help promote GAME OF ARMSPROJECTS:GAME OF ARMS, SEASON 1, AMC; AIRPLANE REPO, SEASON 2, DISCOVERY; SEVERAL DEVELOPMENT SIZZLE REELS

Spearheaded all aspects of physical production, including performing budgeting, hiring, and daily set managementEnsured safety of crews in unconventional shooting environments Produced 16, web series per season with original content to build excitement and drive traffic to showProduced promos, main titles, and other short-form content in collaboration with promo team, offering advice on feasibility of proposed shotsWorked closely with Networks for talent contract negotiations Provided strategic guidance and oversaw implementation of transition from tape to digital, and SD to HD, ensuring compatibility with post-production workflowsExecutive Producer, BERING SEA GOLD, DISCOVERY • Conceived project, shot sizzle reel in extremely challenging environment, and sold show to Discovery NetworkADDITIONAL PROJECTS:Executive Producer, BERING SEA GOLD SEASON 2, DISCOVERYExecutive Producer, BERING SEA GOLD, UNDER THE ICE SEASONS 1 & 2, DISCOVERYLine Producer, WHISKER WARS SEASONS 1 & 2, IFCLine Producer, WILD JUSTICE SEASONS 1 & 2, NAT GEOLine Producer, ICE ROAD TRUCKERS SEASON 5, HISTORYLine Producer, SWORDS SEASON 2, DISCOVERYSupervising Producer, HILLSTRANDED (PILOT), DISCOVERYLine Producer, MONSTER GARAGE MOTOR CITY, DISCOVERYLine Producer, TORNADO ROAD, WEATHER CHANNELLine Producer, AMERICA’S PORTS, NAT GEOLine Producer, BLACK GOLD, TRUTV

Led traveling production, moving crew of 140+ across nation every 4 days while working with high-profile talent

Managed crew of 60 and a $4M budget for set production featuring celebrity-inspired makeovers