As Head of Operations and Special Projects at 20DASH, I oversee operations, manage budgets, and lead innovation initiatives. I work closely with clients to develop solutions aligned with their goals and keep the team up-to-date with the latest industry trends and technologies.

As a partner in charge of project management at Prod4U, I oversee all aspects of concert and event production. This includes managing budgets, timelines, and resources, as well as supervising a team of experts to ensure successful project delivery. Regular communication with clients and stakeholders keeps everyone aligned with project goals, while permits and safety protocols are also closely monitored. My role demands a blend of leadership, organization, and creativity to deliver unforgettable events that surpass client expectations.

As a production coordinator, I played a vital role in the planning and execution of a diverse range of events, including concerts, festivals, and races. I ensured that each production ran smoothly and seamlessly, from managing logistics and coordinating schedules to overseeing vendor relationships and collaborating with teams on site. My attention to detail and ability to manage multiple projects simultaneously allowed me to successfully deliver high-quality events, such as Guns (2016, 2022), Time Warp (2019, 2022), Kiss (2022), Itaipava (2019), Senna Day (2019), Rock Fest (2019), Bocelli (2016, 2018), Roger Waters (2018), Phil Collins (2018), Foo Fighters (2018), U2 (2017), Jhn Mayer (2017), Ed Sheeran (2017), Sting (2017), Aerosmith (2016), Maximus Fest (2016), Paul (2014), CCBB (2014), Indy Race (2012), SWU (2010), among others.

As a financial producer, I managed budgets, negotiated contracts, and handled financial reporting for events such as Festival Coma (2019, 2022) and Nivea Viva (2016). I worked closely with project managers, vendors, and clients to ensure that all financial aspects of the events were organized and executed smoothly.

As a artistic coordinator for various events including Lollapalooza (2014, 2015), and Shania Twain in Barretos (2019), my role involved overseeing transportation, accommodations, and hospitality for artists and staff. I also managed budgets, timelines, and resources to ensure the smooth operation of each event.

As Logistics Coordinator for various projects, like FIFA World Cup - Brazil(2014), my role involved overseeing all logistics operations. I managed the coordination of transportation, storage, and distribution of materials, equipment, and personnel.

As the project manager for "Mais Brasil na Tela," a special project by Netflix, my role was to oversee the entire project that involved book publishing and an industry event. My responsibilities included developing and implementing the project plan, managing the project budget, and coordinating with various stakeholders, including the creative team, book publishers, and event vendors.

As project manager for Netflix's Tudum, I oversaw all aspects of the project, from planning to execution.