Storm Lee Email & Phone Number

• As Lead Wax Pourer, create accurate wax replicas of client originals utilizing traditional slushing and painting techniques. With Wax Department Head, determine production timelines for creating wax copies, providing.
• Maintain mold database and approx. 9000 cubic feet of mold storage, ensuring proper care to maintain longevity of molds.
• Pour ~2000-3000 lbs of bronze per week as a member of the pour crew. Weigh and document waxes, creating weekly pour list for Foundryman.
• Collaborate with Lead Mold Maker to determine best mold making approaches to avoid common wax pouring concerns. Assist with mold making as needed.
• Developed and standardized 3D print finishing techniques for PMMA and SLA castable prints.

Cast and fabricated jewelry, computer accessories, and small sculpture loosely inspired by natural history, Korean culture, and high fantasy, among other themes. Skilled in fabrication, wax modeling and injections, silicone RTV molds, 3D modeling (parametric and NURBS), and SLA 3D printing. Find my work at The Compound Gallery, at events across California.

Oakland, California, United States

• Oversaw all concert and event logistics from pre- through postproduction (approx. 15 self-produced and 75 external performances annually).
• Booked performances and solicited new performance engagements, negotiating contracts and fees.
• Managed production budget, including tracking all production-related expenditures and reimbursements from staff and musicians.
• Administered calendars for office and choirs, scheduling rehearsals, performances, tours, and travel. Managed Artistic Director’s calendar with regards to performances, events, and related meetings.
• Maintained performance records, prepared performance and revenue data in alignment with annual budget and grant requirements.

San Francisco, California

• Oversaw full production and operations of 11-day film festival and year-round screenings. Direct supervisor to festival teams including print traffic, technical direction, projection, venue operations, volunteers.
• Cultivated relationships with venues, distributors, vendors, and independent contractors, negotiating contracts and leveraging sponsorships and in-kind resources. Supervised acquisition, organization, load in and.
• Controlled, maintained, and expanded all technical equipment/formats to provide high exhibition quality of 150+ films per year.
• Coordinated travel and accommodations for year-round and temporary staff. Oversaw travel planning for 160+ Festival guests.
• Developed and tracked operational budget for Festival, year-round screenings & grant reporting purposes in conjunction with Director of Exhibition & Programming, Development Director, and Finance Manager.

Oakland, CA

• Produced annual series of free youth performances, national and regional advocacy convenings, and development events in association with local performances. Created detailed production calendars while tracking.
• Coordinated studio and venue rentals, repairs, and facility access, and contracts with outbound teaching institutes and venues.
• Oversaw project details and travel arrangements for 8 national and international tours including 31 presenters and 119 events and performances. Liaised between dancers, administrative staff, presenters, and venues to.
• Administered HR updates including information regarding benefits programs, compensation, reimbursement, use of company property and payroll. Initiated payroll, reimbursements, per diem, invoices and contractor fees for.
• Coordinated logistics for employee, dancer, and intern recruitment, provided on boarding and training for new hires, and maintained employee files. Oversaw internship program, promoting broad participation across.

• Created and distributed all production documentation including production schedules, meeting minutes and performance reports.
• Facilitated communication across the production team and cast, and managed deadlines for delivery of all properties and costumes.
• Oversaw the organization and use of all back of house spaces, and worked closely with FOH to establish best performance practices.
• Maintained the artistic integrity of productions from opening night forward: communicated performance notes, scheduled pickup rehearsals, called cues, operated lights and projections, and enforced union policies as.

Redwood City, CA

• Researched and acquired performing rights to sheet music.
• Developed and maintained orchestral library inventory and lending systems.
• Coordinated facilities, instrument, and equipment rentals across multiple venues.
• Oversaw 45+ musicians and three stage hands throughout four productions and ve bene t events.

Berkeley, CA

Salem, OR