- Análise de viabilidade de novos projetos (prospecção, avaliação e rodadas de negócios de projetos de produção e distribuição); - Concepção de estratégia e prospecção de financiamento para produção e distribuição;- Negociação e revisão de contratos de distribuição, coprodução e licenciamento: negociação e relacionamento com produtores, canais, plataformas, entes públicos e parceiros; - Planejamento estratégico macro de negócios, incluindo programação e financeiro; - Gestão de prazos e direitos para licenciamento + gestão estratégica de licenciamentos; revisão de relatórios financeiros para produtores, investidores e parceiros;- Estudos de mercado;- Acompanhamento da montagem, aprovação e execução de P&As;- Contato com Agentes de Vendas internacionais.

Main works: co-producer in "Homem Livre" (release date: February 2019; awards: 2017 Festival de Cinema de Caruaru and 2017 Festival Internacional de Cinema da Fronteira); Executive producer in "Menino da Gamboa", Miles Forman's Festival(producer and social media manager (2012), Orson Welles' Festival curator and producer; "Luz Fria" music video producer; TV UOL's "Pit Stop" show director and producer.

Content Analyst / Investments CoordinatorAs a film commissioner:- Perform planning of film shoots: controlling the status of each project and doing procedure;  work with filmmakers from initial inquiry until conclusion of production; troubleshoot as needed;- Develop and maintain productive relationships with producers and location owners; research, recommend and provide to production companies locations for specific film projects to determine their physical layout, compatibility with script needs, and location proximity, location photos and availability of technical crews, talent, equipment rental to production companies;- Represent RioFilme and Rio Film Commission in events, conferences, meetings and festivals; frequently make presentations to industry and civic groups about the film commission and the economic importance of Rio's film industry;- Maintain relationships with city, county, state and federal agencies to secure filming requirements. Interact with government agencies on a national, state and local level;- Update and manage all film commission social media and locations database;- Prepare annual and periodic reports; report monthly statistics including estimated production spending, shoot days, number of permits issued, inquiries; assign work activities, projects and programs; monitor workflow;- Maintain a relationship  with the State Film Commission and Brazilian Film Commissions Network, as well as networking with other Film commissions, Ancine - National Film Agency and industry associations and unions;- Plan and oversee implementation of RioFilme's goals and objectives; recommend and administer policies and procedures.

Designing, developing, coordinating and conducting REBRAFIC training program and material; film commissions consulting; preparing detailed activity reports for social media and official website.

- Perform planning of film shoots: controlling the status of each project and doing procedure;  work with filmmakers from initial inquiry until conclusion of production; troubleshoot as needed;- Develop and maintain productive relationships with producers and location owners; research, recommend and provide to production companies locations for specific film projects to determine their physical layout, compatibility with script needs, and location proximity, location photos and availability of technical crews, talent, equipment rental to production companies;- Represent Rio Film Commission in events, conferences, meetings and festivals; frequently make presentations to industry and civic groups about the film commission and the economic importance of Rio's film industry;- Maintain relationships with city, county, state and federal agencies to secure filming requirements. Interact with government agencies on a national, state and local level;- Update and manage all film commission social media and locations database;- Prepare annual and periodic reports; report monthly statistics including estimated production spending, shoot days, number of permits issued, inquiries; assign work activities, projects and programs; monitor workflow;- Maintain a relationship  with the State Film Commission and Brazilian Film Commissions Network, as well as networking with other Film commissions, Ancine - National Film Agency and industry associations and unions;- Managing the International Film Project Partnership Platform, an interface for feature film project partnerships between Rio–based producers and international companies for co-production, investment,distribution, sales, or other forms of international partnerships.

Contract management on grants and production incentives, development of public policy proposals, audiovisual market analysis (theatrical, television, electronic games and other media), evaluation of projects to receive Special Tax Treatment (importion of cinematographic exhibition equipament without national similar product), budget planning, regular reporting.

Evaluation of applications for financing. Analysis on content proposal, financial and executive feasibility of audiovisual projects eligible for grants/incentives. Selection of 47 audiovisual projects.

Brazilian section database control; overseeing the production of the Festival program guide; screenings production; managing the official juries schedules and activities.

Scheduling scholar exhibitions; prospecting and negotiating sponsorships; logistic management; managing workshops; Script Development Lab selection member.

Managing expositions (Em busca do Aleph, de Roberto Cabot, José Resende – Esculturas, Doações MAM, Vírgula no Infinito, de Gabriela Gusmão, É Assim Mesmo – Acervo MAM, Joaquim Paiva – Fotografias, Prêmio PIPA 2011, O Retorno do Desejo Proibido, de Louise Bourgeois).

Managing shooting schedule, responsible equipment rental and below-the-line crew hiring, troubleshoots (Tudo Se Transforma webseries; educational videos for universities and government offices), monitoring all personnel throughout the production process

Distribution system operational architecture (Sistema de Acompanhamento de Distribuição em Salas de Exibição - SADIS Agregado e SADIS Detalhado); reporting exhibition, distribution and homevideo segments; preparation of reports and analytical bulletins on Brazilian cinema market, which resulted in OCA - Observatório do Cinema e do Audiovisual, Brazilian cinema official directory.

Organizing theatrical database; attending departmental meetings; assisting a colleague with relevant tasks