• Led holistic creative vision for the entire studio, strategically guiding bespoke techsolution product development.• Transitioned from a large enterprise (DeNA) to a small startup (Skyblaze), innovativelyaddressing resource constraints by leveraging junior artists and streamlined trainingmethods, while maintaining quality and client loyalty.• Established an agile art team capable of scaling according to project demands,optimizing resource allocation and project efficiency.• Introduced cost-effective communication strategies to mitigate feedback loops anderrors with freelance artists, enhancing collaboration and outcomes.• Spearheaded the creation of a gaming prototype that introduced revolutionary gamingtechnology, collaborating closely with Japanese client to bring the concept to life.• Led the development of a financial AR game for SMU, creating 2D backgrounds,3D characters, and UI elements from scratch.https://play.google.com/store/apps/details?id=sg.edu.smu.skbi.smoolah&hl=en_US• Led and managed a cross-functional team including engineers, artists, planners and QAto conceive, design, and develop in-house Unity-based games. Orchestrated the entireproject lifecycle, from market research to final product delivery.

• Spearheaded the comprehensive management, recruitment, and training efforts for theart teams spanning both Hanoi and Singapore offices, fostering a dynamic and cohesiveworking environment. Collaborated closely with DeNA Headquarters in Japan to ensurealignment with the global vision.• Coordinated successful partnerships with various global art outsourcing studios. Oversawtesting, feedback cycles, and the establishment of guidelines and streamlined processesto optimize long-distance working efficiencies.• Expanding the Hanoi Art team from a small team of 10 artists to a team of 30, solvingcommunication challenges between the Hanoi studio and the Japan headquarters.Enhanced team's art skills to meet Japanese market's high standards.• Took over three major Japanese mobile games (Blood Brothers, Defender of Texel,SangoKushi Royale). Managed smooth transition, sustained operations, and led creationof new content with Hanoi team, ensuring ongoing success.

• Led the creation of pivotal key areas for Otherland MMO game :https://store.steampowered.com/app/376310/Otherland_MMO/• Produced 3D models, textures, and visual effects (VFX) using Unreal Editor, while activelycontributing to level design. Additionally, developed comprehensive guidelines andrulesets.• Following the closure of Real U, my Art Director recognized my exceptional performanceand subsequently recommended me for the role of Art Director at DeNA Singapore.

• Rapidly ascended from artist to Lead Artist in just a year. Directed a 40-member team,including artists with up to 12 years of experience.• Reviewing and approving deliverables for the team (quality checking before delivery).• Acted as a pivotal point of contact for clients, managing the end-to-end customer liaisonprocess from requirement intake to deliverable submission and feedback handling.• Handled outsource projects from industry giants such as EA, Ubisoft, Vivendi Games, andRockstar Games on a diverse range of game titles including CSI Hard Evidence, BurnoutParadise, Need for Speed ProStreet, and Skate 2,..

• Worked closely with programmers to create the first-ever webcam facial tracking software,allowing users to make 2D/3D avatars.• Managed a 2D art team to produce high-quality website and graphic design projects.