As an Itinerary Manager at Madrid & Beyond (a luxury travel agency), my responsibilities include crafting unforgettable experiences for clients. This role requires a combination of organisational skills, attention to detail, creativity, and a commitment to delivering the highest level of service.Here are my key responsibilities: 1. Gather information on clients' travel history, dietary restrictions, and any other specific needs.2. Have in-depth knowledge of luxury accommodations, fine dining, and exclusive activities in Spain & Portugal.3. Build and maintain strong relationships with exclusive guides, luxury hotels, airlines, and other travel partners.4. Create trip Pricing and Inclusions.5. Coordinate all aspects of travel logistics, including transportation, accommodation, and activities.6. Ensure seamless transitions between different elements of the itinerary.7. Prepare detailed travel documents, including itineraries, contact information, and any necessary travel documentation.8. Communicate effectively with clients, providing updates and addressing any concerns or changes.9. Work within clients' budget constraints while maximising the value of the travel experience.10. Monitor expenses and financial transactions related to each itinerary.11. Collect feedback from clients upon their return to continually improve services.

Tilly May is a weddings and portrait photographer.

I am currently working as a Self-employed Photographer.

I ran Peek-a-Booth Photo's under the umbrella company Rolling Stage. Peek-a-booth was a bespoke portable photobooth. Working alongside Rolling Stage we designed unique sets and interactive photography studio for events. As well as the actual photography, I was also responsible for lighting, editing, distributing and set up/take/down of sets.

Assisting with shoots and 2nd photographer for ‘Aaron Geis Photography’. Helping to ensure the shoots ran smoothly, lighting setup/takedown, photography for events and weddings, editing.

1. Examining prints to determine the image, sound format and other information needed to screen the film correctly.2. Examining prints to check for physical damage3. "Lacing up" the film through the projector4. "Taking down" the reels of a print and supporting programme after the final screening, and spooling them back into 2,000 foot lengths.