Responsible for recording all incoming physical media ingests and entering metadata information, assisting Atlanta bureau with incoming feeds and show records, managing server space in Media Source and assisting documentary unit with ingests.

Responsible for recording all incoming feeds and entering metadata information, coordinating incoming and outgoing fiber lines, scheduling interview guests in CNN Show Manager, setting up flash studio for interview guests, robotic camera operation and audio and video quality control on incoming live guests. Assisted Technical Production Managers in incorporating Media Operator duties into their daily routine.

As a composer I blend my training as a guitarist and pianist with my background in rock music and classical training in piano performance and composition to create unique film scores and music for all types of multimedia projects. I also offer voice over for all kinds of media projects from commercials to corporate videos. My music music has been heard on contemporary dance at Triskelion Arts in Williamsburg, Brooklyn, at the Metropolitan Room in New York City’s Flatiron District, The Waltz Astoria Cafe in Astoria, Queens, The National Black Theater in Harlem, Galapagos Art Space in DUMBO, Brooklyn, The Lily Pad in Cambridge, MA and in the short films “Sides of the Track,” an official selection at The Wildwood Film Festival, “The Feed,” an official selection at NYU’s First Run Festival, The NYLA International Film Festival, The LA Fear and Fantasy Film Festival, and The High Desert Shorts International Film Festival, and “Peeper: A Sort of Love Story,” an official selection at the Hoboken International Film Festival. I have also written the main title theme and underscoring for the dramatic TV series, “The Life."I have trained at Edge Studio in New York City as well as privately with Sylvia Roldan-Dohi and Marla Kirban, volunteered recording audio books with Learning Ally, and I have done voice over work for the Blue Ant, Sandwich Video, HowAboutWe.com Grand Central publishing and MacMillan publishing.

Oversaw ongoing time compression project for all truTV shows, took over various long term dubbing and archive projects. Responsible for making Digibeta, Betamax and other dubs, ingesting all new episodes of truTV shows, feeding video to Atlanta via FTP, creating file conversions and DVDs for producers.

Established and implemented new standard operating procedures including better tracking of physical media after being ingested to avoid loss of footage, assisted transition to Dalet software and conversion of all archived media to 16X9 format as well as recent conversion to all HD newsroom, spearheaded new procedures for liaising with assignment editors and control room producers to streamline cooperation between departments on daily tasks. Responsible for coordinating and recording all incoming feeds, quality control, management of media archive and tuning in microwave and satellite signals.

Responsible for screening 35mm film and video for clients, liaising with clients before, during, and after screenings, assisting engineers with daily projects.

Responsible for monitoring on-air signal, coordinating commercial breaks, and audio board operation during live shows.

Responsible for set up and take down of audio and video equipment, recording recitals, concerts and lectures.

Responsible for operating robotic cameras and audio board and floor directing for live news shows, as well as ingesting video into server.

Responsible for set up and maintenance of Alice Virginia Poe Williams Electronic Music Studio. Responsible for set up and production for Electronic Music concerts at the School of Music.

Assisted in transition from all tape newsroom to digital video servers. Responsible for operating tape decks, audio board and robotic cameras, editing video (linear) and floor directing for live newscasts and live to tape shows. Responsible for setting up studio before live shows, checking studio lights, tuning in microwave and satellite signals, and ingesting video into server.