I’ve provided a wide-ranging copywriting portfolio for some of the market leaders in art retail, business-to-business suppliers, and all manner of high-impact ventures. Over the years I have buddied up with a wide range of marketing specialists to integrate social metrics, SEO, and keyword-rich copy into my unique and readable prose. With the wealth of unique content I offer, my clients never fail to diversify their visitors and curate a network for their customer to travel across. Having set up a number of successful businesses from the ground up, my expertise in web copy, SEO, online marketing, demonstrates an ability to create compelling copy for a wide variety of brands, audiences and industries.

‘Destruction Ceremonies as 21st Century Book Burning’ on Rhizome.com, Thu Jun 19th, 2014‘Arab migrants face a new Sykes-Picot in Calais’ on Open Democracy, July 2014‘Big Data and the Dark Art of Dispossession’ in artcollector AC-16. March 2014 (Swiss/German print tri-annual magazine).‘The Work of Art in the Age of its Notarised Reproducibility ‘in artcollector AC-15, December 2013, (Swiss/German print tri-annual magazine).‘Falling Out of Ruin’ in artcollector AC-13, September 2013, (Swiss/German print tri-annual magazine).‘A Guide to the Cost of Everything and the Value of Nothing’ in in artcollector AC-12, September 2013, (Swiss/German print tri-annualmagazine).‘Turkey’s Sociable Unrest’ on YourMiddleEast, July 2013

Having secured a long-term copywriting project early in the year with a market-leading client, a leading online retailer of oil-painted fine art reproductions, I then extended the project to produce a series of videos for the company's elite membership service in the capital of Renaissance painting. Other tasks include curating a monthly 'features exhibition', selecting and schematizing works of art in a series of online exhibition.

Initially traveling to Istanbul to complete a short project for the Social Sciences department of Istanbul Technical University, I arrived at the beginning of the Gezi Park protests that swept Istanbul. I covered the Gezi Park protests for a number of leading publications such as Your Middle East, Ibraaz, and Vice Magazine, and continued writing regular features on the collecting, preservation, access to, and archives of contemporary art for Art Collector Mag, a print publication serving Central European patrons.

I worked closely with a number of academic and professional stakeholders to create a BFA in Film and Video for a leading college of the liberal arts based in Paris, created in compliance with the US awarding body NASAD. In accordance with the growth of their existing departments I capitalised on the shared resources available and developed the curriculum keeping in mind the future merger with a local film school. The aim was to bring Film and Video from the realm of new media into relationship with a wide range of craft media, including animation, illustration, printmaking, animation and others. I ensured that students would be able to draw on a wide range of resources and staff expertise to develop strong individual practices that reflect increasing diversity, an interdisciplinary focus, and an accelerating pace of change within the field of film and video culture.