Tim Naylor Email and Phone Number
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Tim Naylor is a game-changer in the visual effects industry, with a proven track record of delivering award-winning work on blockbuster movies. He is the co-founder of ExoTools, a company that focuses exclusively on providing innovative software solutions for character development in visual effects, gaming, and metaverse industries. Tim Naylor has worked at Digital Domain, Industrial Light & Magic (ILM), and most recently developing cutting-edge face technology Meta Reality Labs. Tim was inducted into the Full Sail University Hall of Fame in 2014.Prior to ExoTools, Tim co-founded Creature Arts & Mechanics where he led a team that developed next-generation digital creature technology for the entertainment industry. The studio's groundbreaking work caught the attention of Pulse Evolution, a company specializing in hyper-realistic holograms used in live performances, leading to a merger between the two companies.Tim worked at Reality Labs (a division of Meta) developing animation technology resulting in securing a patent for facial animation of computer-generated avatars (USPTO 11270487).Tim has contributed to some of the most visually stunning and critically acclaimed films in recent years, including Transformers, Pirates of the Caribbean: The Curse of the Black Pearl, Star Wars: Episode II - Attack of the Clones, and Star Wars: Episode III - Revenge of the Sith.Credits: Michael Jackson Hologram (Billboard Music Awards, 2014), Jack The Giant Slayer, Rango, Transformers, Pirates of the Caribbean: Dead Man's Chest, Pirates of the Caribbean: The Curse of the Black Pearl, Star Wars: Episode III - Revenge of the Sith, Star Wars: Episode II - Attack of the Clones, Hulk, The Day After Tomorrow.
Exotools
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Co-Founder And Co-CeoExotools Nov 2016 - PresentSan Rafael, Ca, UsExoTools is a 3D software and consulting company specializing in tailor-made character development tools.* ExoTools partners with industry-leading companies and productions to provide innovative solutions for complex character development challenges.* Currently collaborating with 2K on the highly anticipated release of BioShock 4, the newest installment in the franchise.* Partnered with a movie studio to develop character tools for an upcoming animated movie, including Facial Technology, Body Technology, Machine Learning solutions for Simulation and Deformation, Parametric and Procedural character generation (crowds).* Customized rigging software for Humain's digital human models, ensuring precision and realism.* Provided global rigging supervision services for several Animal Logic projects and shows, elevating the studio's visual effects and work quality.* Engineered software solutions for Motorized Precision, streamlining the integration of robotics systems into animation processes.
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Xr Facial Research & Technical Artist (Reality Labs)Meta Oct 2017 - Apr 2023Menlo Park, Ca, Us* Part of the group of inventors that secured the patent: “Systems And Methods For Improving Facial Animation Of Computer-Generated Avatars.”* Developed a multi-level shape network ecosystem for eye and face tracking in VR, and the tools to transfer the tracking rigging data from Maya to Unity.* Collaborated with engineers in various Machine Learning Models to support eye and face-tracking research in Quest Pro.* Worked with a team of artists, technical animators, and engineers to prototype solutions for body tracking in VR.* Engineered a tongue-tracking rig in Unity, enabling prototype development for registering multiple ML signals related to tongue movement. -
Co-Founder And Head Of StudioCreature Art & Mechanics Feb 2012 - Feb 20181290 6Th Ave New York, Ny, UsCreature Art & Mechanics developed cutting-edge digital creature technology for entertainment. * As Head of Studio, Tim oversaw all aspects of production including bidding, scheduling, team building, and final delivery of service-based visual effects and digital character asset creation contracts* Also, Tim led the legal process to secure the proprietary IP that was sold to Autodesk and integrated into the Maya software as shape tool workflows, blend shape nodes, and pose-space deformation workflows.* Tim supervised all creative endeavors for building digital humans including asset development methodology, technology, and aesthetic results. The studio worked on a number of projects related to digital versions of iconic artists including the Michael Jackson Hologram presented at the Billboard Music Awards in 2014, Elvis Presley at the Ed Sullivan Show (never released), Now United - R3HAB Presents JUMP ft. Alta B (completed by a different company), and ABBA Voyage (completed by a different company).* The studio was eventually sold and merged with Pulse Evolution, a company specializing in hyper-realistic holograms used in live performances. -
Senior Rigging Technical DirectorDigital Domain Aug 2010 - Feb 2012Los Angeles, Ca, UsDigital Domain creates groundbreaking visual effects for blockbusters like “Titanic,” “The Curious Case of Benjamin Button,” “Avengers: Infinity War” and “Ready Player One."* Spearheaded the body rigging efforts for the Jack the Giant Slayer movie, overseeing the development and implementation of cutting-edge rigging technology.* Designed and implemented a robust character setup framework and toolset, empowering artists to efficiently create and animate high-quality characters.* Collaborated closely with the animation team to optimize the motion capture and animation pipeline, ensuring seamless integration between the two stages of the production process.Tim's credits included:* Jack the Giant Slayer (2013) - Senior Character Technical Director -
Creature Technical DirectorIndustrial Light & Magic Jun 2001 - Aug 2010San Francisco, Ca, UsILM, founded by George Lucas, is the world's top effects facility, having set the standard for visual effects and creating some of the most stunning images in film history.* Led character setup and deformation efforts for multiple productions, creating character setups for several hero characters, including Davy Jones (Pirates of the Caribbean) and Star Wars characters.* Developed new technology and toolsets for the creature development and animation departments, including a dynamic rigging system for transformations on Transformers and a popless and dynamic coordinate space posing system on Rango.* Supervised and led teams with responsibilities including bidding, scheduling, tasking, and delivery.Tim's credits included:* Rango (2011)* Transformers (2007)* Pirates of the Caribbean: Dead Man's Chest (2006)* Star Wars: Episode III - Revenge of the Sith (2005)* The Day After Tomorrow (2004)* Pirates of the Caribbean: The Curse of the Black Pearl (2003)* Hulk (2003)* Star Wars: Episode II - Attack of the Clones (2002)
Tim Naylor Skills
Tim Naylor Education Details
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Full Sail University -
Taylor UniversityFinance
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Oak Forest High SchoolDiploma
Frequently Asked Questions about Tim Naylor
What company does Tim Naylor work for?
Tim Naylor works for Exotools
What is Tim Naylor's role at the current company?
Tim Naylor's current role is Co-founder of ExoTools, shaping the future of character development in VFX, gaming, and metaverse industries..
What is Tim Naylor's email address?
Tim Naylor's email address is ti****@****ast.net
What schools did Tim Naylor attend?
Tim Naylor attended Full Sail University, Taylor University, Oak Forest High School.
What skills is Tim Naylor known for?
Tim Naylor has skills like Maya, Maya Api, C++, Python, Character Setup, Character Animation Plug In And Tool Development.
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