During my time at Clear Angle, I worked as part of the asset team, working predominantly to deliver FACs shapes and digi-doubles for clients within the games industry. This meant going all the way through the pipeline, from scan clean-up, aligning FACs, wrapping, sculpting, and texturing, all according to clients specs which changed depending on the project - allowing me to become more comfortable with rapid shifts in workflows and levels of detail required. The main part of the work was aligning and wrapping FACs shapes processed from Clear Angle's scanning rig. I managed to build up rapid pace on these tasks over my time and was turning over 6-9 heads a day, most without the need for notes or changes. I was also given the chance to work on a, now cancelled, advertising campaign where we were to make a digi-double of two sports shoes. I was responsible for cleaning up the geo and texturing one of the trainers, using Mari to project from scan images. This was the first time I had worked on something like this so the experience gained was invaluable and the pressure of a tight deadline pushed me to adapt and learn quickly on the job.

I worked as part of the asset team on delivering stylised props and assets for Scooby Doo and the Mystery Pups. I was responsible for the modelling and texturing of multiple props as well as the texturing of some of the main characters for the show, allowing me to further my skills within Substance Painter and Maya whilst also gaining valuable pipeline and studio experience. In addition to this, due to the project being episodic, the turnaround on assets was rapid and allowed me to develop my skills and deliver what was needed at a faster pace.