Todd Greco Email & Phone Number

Portland, OR, US

Portland, Oregon Metropolitan Area

I lead Slalom Build's Experience Design capability in Portland.Basically, it was interesting to see what leading a group of designers inside of a much larger group of technologists would feel like, and better see what design and development at scale felt like. After years of being the nerdiest designer in a sea of artists, being the most design-focused in.

Portland, Oregon Area

I was the Interaction Design Craft Lead for Ziba, and in that role bounced between growing my team of interaction designers while at the same time looking and testing new tools and processes that will help us deliver amazing experiences for our clients.In addition, I was our resident enterprise expert, and was called in to help larger organizations get.

Portland, Oregon Area

I helped bring a spirit of prototyping and building to the Ziba UX department, which meant starting a group (the kinetic design group), experimenting in air, arduino, obj-c, html5, interactive pdfs, and whatever else let us build an experience on the quick. Also, I designed interfaces, dreamt up products/services, and did qualitative design research. So.

Portland, Oregon Area

I taught graphic design at Portland State University as an adjunct professor for almost four years. In that time, i taught sophomore and junior design studio, a "How to Operate in an Interactive Team" class, as well as a senior "Intro to Flash Programming and Animation" class. I jokingly called it "Programming for Poets", and it certainly helped me sharpen.

Portland, Oregon Area

I finally took the plunge and got out of traditional digital advertising (is it old enough to be considered traditional yet?) and started working more in interactive exhibit design and creation. This involves arcane languages (c++ for the most part), soldering irons, and very little documentation. I love every minute of it. When I wasn't doing that, I lead.

Portland, Oregon Area

Professor of Music, specializing in teaching kids how to spin records and rock the party. Honestly, I forged some new ground by codifying some of the ideas of the professional club dj (my life for over 10 years) into an educational environment. Writing the syllabus was a blast. Later on, I found some of my same thinking in Berklee and Scratch DJ Academy.

Portland, Oregon Area

I took the lead on motion graphics and interactive design for a variety of clients (iShares, Barclays, Adobe, Allstate, Agilent, Visa, Intel, CBFleet). My job responsibilities were hard to pin down, as I jump from simple page design, object oriented flash programming, after effects renders, client relations, sales, and interface mockups seamlessly. During.

Portland, Oregon Area

With my partner Franz, bluePAVO lead the way in marketing cd-rom development for Logitech as well as gave me a platform for music production and experimental interface design. In addition, I designed the front end for La Opinion's entertainment section (in spanish) and a series of flash demos for Merant.

Portland, Oregon Area

Lead the creative department for this tech-firm during the bursting of the bubble. We built websites for Mexico.com and Interlogix in our jsp framework, which meant that I got to learn the joys of UML and very very very long development times.

Portland, Oregon Area

This was a fun time. During the dot com boom, I got to run the design for molson.com, as well as pitch in on visa.com, capncrunch.com, and build a series of dhtml sites for Chevy Chase Banks. I won awards, strengthened my portfolio, and really learned how to work with a team. I also got to actually use LISP in a production environment, which none of my CS.

Columbus, Ohio Area

Design of websites including LaneBryant.com, Compuserve.net, CamelotMusic.com, and AEP.com. At the same time, I acted as the voice of the technology department and managed the html production crew. My office had a large hat rack.

Columbus, Ohio Area

I acted as the rosetta stone between our outsourced development team (proxicom) and our internal design team (which was very print-focused, and wasn't sure why there wasn't a vowel in 'ftp'). I learned how to speak advertising here, which really helped in the rest of my career.

Tinley Park, Illinois

In my first real job, I was a reviewer tasked with seeking out and writing about "underground dance music" for DMA. Somewhere in there I interviewed Reel 2 Real (remember them?) and got blacklisted for one of my reviews by my favorite remix company, Razormaid. Fun times. It was because of this job I'm able to drive my copywriters crazy by playing editor.

Education record

Education record