Writer, researcher, and scholar of modern and contemporary art history, focusing on South Asia and diaspora. My work is influenced by my background in practice, which enables me to think with and through materials and mediums toward understanding art, its scholarship, and reception. My work experience is predominantly within the publishing industry, where I continue to work as an editor. My commitment to bridging the gap between art theory and practice is demonstrated through my role as a facilitator of an interdisciplinary research forum called Critical Symposium which brings together artists and scholars across the globe in dialogue with each other on the premise of critical themes.