Tony Morrill Email & Phone Number

Sandy, Ut

In a modern industry where time is money and hyper-efficiency is the rule, technology is the key to training and improved safety. At GlobalSim we provide premier quality crane simulators and custom material handling simulation systems to training organizations throughout the world.As Art Director, I will help lead the charge as we update and improve the graphic content for existing simulator systems already in use all over the planet, as well as create the design and feel for new content as we move into the future of virtual training.

Draper, Ut

Using my years of experience as a company executive and project manager coupled with my expertise as a high-end 3D artist I was able to be a part of a wide range of creative projects including modeling hyper-detailed 3D cars for TV and web, efficient 3D assets for games and simulation, visual FX work for videos, and concept design/visualization work for new aircraft.

Oversaw day to day decisions, handled all financial, payroll, legal, and insurance issues.

Following the acquisition of GlyphX by Sandman Studios, I enjoyed the role of Team Lead and mentor to a group of young animators and 3D modelers as we successfully provided assets and animation for several high-profile projects including Disney’s Race to Witch Mountain and The Game Plan, ABC’s Pushing Daisies, and several animated shorts. I also took the Production Team Lead position for Phase 1 of the Nanovor game project (Nanovor.com). Phase 1 involved the modeling, texture mapping, rigging, and animating of 51 complex creature models – with each creature having 32 individual animations. During my time as Team Lead, Phase 1 stayed on schedule and met all client expectations.

I was a primary partner and key player in expanding GlyphX into a stand-alone game developer which produced and released Advent Rising, a critically acclaimed XBOX and PC game title.I was also the Lead 3D Modeler and Facial Animation Director for the 3 years of development on Advent Rising.

GlyphX Inc. began as a specialized 3D art production studio that leveraged cutting edge technology to produce creative and provocative imagery. We excelled at creating cinematic animation and marketing illustration for the interactive entertainment industry. We produced award winning images and cinematics for such popular titles as Diablo, Star Trek Voyager: Elite Force, Soul Reaver: Legacy of Kain (1,2, &3), Spiderman 1&2, Unreal Tournament, Blood Rayne, Draken, Vampire, and much, much more.

Orem, Utah

Viewpoint was exclusively a 3D model production company. Here I mastered polygonal and NURBS modeling techniques, and worked with software tools providers such as Alias/Wavefront, Softimage, and Discreet to develop and refine many of the tools used by all 3D modelers today. During my 5 years at Viewpoint I created over 230 high-detail models for movies, TV, simulations, video games, etc…

Greater Salt Lake City Area

As the weekend weather segment producer I handled all wx data collection, video editing, and preparation of on-air graphics for several broadcasts each Saturday and Sunday. I was also the producer for KSL's educational program, WeatherSchool.

Provo, Utah

As the on-air weatherman for the KBYU-11 news program, I was responsible for all data gathering and preparation of my wx forecast, including the segment format, sequence, and creation of weather graphics.

Orem, Utah

I taught a special course on video/audio production at Canyon View Jr. High. I created my own curriculum and lesson materials for the 4 full class periods I taught daily.

Provo, Utah

At that time we shot and edited all video in M2 and Hi-8 formats. I handled video editing, package creation, and on-air tape operation for the weekday KBYU-11 and Utah Tonight TV broadcasts.