Neil Taylor Email & Phone Number

Portland, Oregon, United States

Portland, Oregon Area

Visual Effects Producer on the film Neil Stryker and the Tyrant of Time, an award-winning independent science fiction feature film available now through iTunes, Google Play, and many other streaming and download services. Specifically, I modeled flying vehicles in Maya, rendered them with Pixar’s RenderMan, and composited them into environments with Adobe.

United States

Started as a Roto Paint Artist, but was promoted to a Senior and also a Comp Artist towards the end of production as I took on more responsibility.

United States

Created 3D renders of metal shop equipment to demonstrate the capabilities of the company. 3D modeling, lighting, compositing. Roto Paint techniques used. Dynamic text and motion graphics. Videos were made for company website. See YouTube link.

Portland, Oregon, United States

Used pathing and retouching techniques very similar to roto and paint techniques on high end e-commerce photography

United States

Rendered 3D visuals of products for a trade show presentation. 3D models. Roto Paint techniques used. Dynamic text and motion graphics.

Portland, Oregon, United States

Created dynamic renders of products for video advertising. 3D renders. Roto Paint fixes to footage. Dynamic text and graphics.

Portland, Oregon

Used pathing and retouching techniques very similar to roto and paint techniques on high end e-commerce photography

Remove rigs from stop motion animation footage.Remove seams from the faces of stop motion puppets.Remove dust from footage.Repair "chatter" from faces.Make all edits consistent in stereo, so the left and right eye edits are identical.

Vancouver, Washington

Roto paint techniques used to remove text from instructional medical videos and replaced it with text translated into other languages using After Effects.Retimed videos with translated audio and picture using Premiere.Engineered hours of audio for government contracts using Audition.Rebuilt E-Learning classes in other languages using Articulate.

Hillsboro

For four years, I maintained a high level of detail and consistency while processing thousands of 3D printed faces for stop-motion puppets on The Boxtrolls and Kubo and the Two Strings.Pulled powder based parts and resin based parts off printers on a daily basis.Each face needed a unique approach for reinforcing, scraping, sanding, dipping in glue.