I view my research as a collaborative effort with the non-Human entities I touch, caress, grow. Having ‘minds’ of their own, my work explores sculpting forms with living mycelium, and bio-sonification. My fascination with mycelium (the root structure of mushrooms) is compounded by a number of factors: fungi are neither plant nor animal and fungi can clean up ecological disasters. Tosca Teran, aka Nanotopia, is an interdisciplinary artist. Her work has been featured at SOFA New York, Culture Canada, and The Toronto Design Exchange. Tosca has been awarded artist residencies with Nes, Skagaströnd, The Ayatana Research Program in Ottawa and The Icelandic Visual Artists Association through Sím, Reykjavik Iceland. Tosca is currently an invited Bio-Artist in residence at the Museum of Contemporary Art Toronto in partnership with the Ontario Science Centre. This summer Tosca will further her research in bio-sonification and bio-remediation with local mycologists at Bilpin Australia where she is the recipient of the 2019 BigCi Environmental Award at Wollemi National Park within the UNESCO World Heritage site in the Greater Blue Mountains.Born in San Francisco, California, Tosca relocated to Canada in 2001. Working with metals, computer coding, and animation since the mid-eighties, Tosca was introduced to glass as an artistic medium in 2004. Through developing bodies of work incorporating metal, glass, and electronics, Tosca has been awarded scholarships at The Corning Museum of Glass, Pilchuck Glass School and The Penland School of Crafts. Her work has been featured at SOFA New York, Culture Canada, Metalsmith Magazine, The Toronto Design Exchange, and the Memphis Metal Museum.Tosca founded nanopod: Hybrid Studio maker space in 2005. Continually exploring new materials and tools, Tosca started collaborating artistically with Algae, Physarum polycephalum, and Mycelium in 2016, translating biodata from non-human organisms into music.