We're in the business of making music memorable:- Live Music: Unparalleled network of top No matter the calling, we've got the musical talent to make it happen.- Consulting: Creative consulting services. Ask us anything! (Well, mostly anything)- Custom Music: Need something crafted to your specifications? No problem. And if it doesn't exist yet, we'll make it.- Artist Management: Artist management with Concertize isn't just about the bottom line. It's about making your music reach new heights.In 2023 alone, we produced more concerts than days in the year, paid musicians 1.3 million dollars, arranged over 200 songs, and grew our artist roster to over 500 active performers.As the Co-Founder I of course have to wear many, many hats. My primary focus has been on operations automations using tools like Airtable and various API's for comms, contracts, and payments. With a robust operational system the current tech at our disposal, we are able to keep our overhead absurdly low – saving our clients budgets, paying our performers more, and allowing us to operate at scale across the nation.https://www.concertize.co/

Oversees all lesson and course releases for the platform. Manages a multiple-member team with 20+ contractors with over 2,000 lessons and courses released.Spearheads the launch of new verticals and initiatives. Manages the database and materials for all content (firebase, AWS s3)

Managed the end stages of video production and content enriched peripheral materials.Over 200 hours of high-quality lesson content released in 1 year.

Oversaw a team of 6 contractors, leading to the creation of over 1,500 pages of high-quality, modernized editions. Created the custom house style and editorial standards optimized for digital e-learning.

I have enjoyed my years of experience working on various projects: Filmscoring, Music Production, Musicals, Dance, Classical, Arrangements, Education, and Music Technology. Some recent highlights include: Music Editor – Only - Feature Film, 2019 Tribeca Film Festival Selection, starring Leslie Odom Jr. and Frieda PintoMusic Supervisor – First Deep Breath – a National Black Theater Playwrights Production (2019)Composer – Wandered Off – Short Film, Guam Film Festival (2018)Music Preparation – Hadestown (musical) - Broadway production (2019)Services include:Composing, Film Scoring, Arranging, Orchestrating, Producing, MIDI Mockups, Consulting, Parts Preparation, Engraving+Typsetting, Synth Mastering, Audio Mixing, Live Electronics, Editing, Teaching, Supervising.

We are a team of artist-entrepreneurs building accessible and meaningful blockchain products on #ICONProject for creatives.

Analyzed and provided feedback on text, web pages, images, and other types of information for leading search engines.

Taught young composers as part of the Bridge I and II programs. Students are drawn from all backgrounds and boroughs of New York City and are given the knowledge and tools on how to bring their compositions to life.

I stepped in as Acting Manager of the New York Philharmonic's Bridge and Very Young Composers Programs until a new program manager position was filled. In my tenure, I efficiently performed a mix of administrative and logistical duties while supporting students and staff including bookkeeping, inventory, communication, hiring, scheduling, and event planning. I oversaw and achieved organizational goals while maintaining a productive and positive office culture.

As an Instructor, I taught music theory and aural skills across all levels of the PreCollege division. I was also a frequent substitute for Theory, Composition, and Counterpoint instruction in both private and classroom settings.

Teaching Assistant for core undergraduate music theory courses. I led one weekly session and assisted two classes each week. I administered tests and managed grading and attendance in the Canvas LMS system.2016-2017: Music Theory 1 and 22017-2018: Honors Music Theory 3 and 4

Developed new online curriculums and curated digital content for edex.org through Juilliard Global Ventures. Managed all courses (including Piano Artistry, Music Theory 101, and How to Listen to Great Music for Orchestra) and trained teaching artists.

Taught composition as part of the Young Composers and Improvisors Workshop (YCIW). YCIW is a progressive curriculum that takes students from the beginning of a composition to a fully notated score using Noteflight. Performances and readings are given by the Metropolis ensemble.

Taught theory and musicianship classes to young 1st and 2nd-year learners.Served in a frequent substitute role from 2016-2017 and took over as a full-time faculty member in January of 2018.

In my second year, I was offered to develop the curriculum for the 2016, 2017, and 2018 summer and supplemental music production programs. Around thirty programs are held throughout the summer all across the US and Canada. Curriculums were organized into 40-hour, weeklong intensives focused on a specific topic, such as Music Production with Logic and Audio Engineering.I directed a small team of curriculum development assistants in 2017-18 through the process of scriptwriting, copyediting, content-specific video productions, and teaching seminars. Curriculums were built through the Canvas LMS (Learning Management System).

Instructed music production using Logic Pro and Ableton Live at locations such as New York, Washington, George Washington, and Michigan Universities. Class sizes ranged from three to forty-two and ages from eleven to eighteen.

Worked closely with the assistant editor on editing, proofreading, maintaining assets, and extensive database management of all music titles and properties.