Trisha Brunner Email & Phone Number

San Francisco Bay Area

• Produced home entertainment content (documentary and short-form), social media sizzles, trailers, corporate and recruiting reels, emerging technology sizzles, large-scale live event production and editorial, and multi-million dollar commercials• Liaised with clients, crew, and vendors to determine projects' scope, create concepts & budgets, and complete projects• Managed priorities for team; adjusted resources as needed for unplanned urgent projects while keeping group on schedule• Established budget and invoice tracking system for department; ensured that projects stayed on budget

**Managed editorial department, scheduled editorial team and ensured that production deadlines were met**Scheduled all post production tasks; organized delivery of episodes to network and international department**Handled post production finances: created estimates, generated purchase orders and tracked budget**Established (and continually improved upon) efficient post production workflow for the show

**Scheduled and supervised onlines, color correction, drop-ins, titling, ADR sessions and laybacks **Managed finances for post-production; created database to organize purchase orders and invoices**Established efficient post-production workflow for the show; set up in-house DVD duplicator

**Supervised onlines, fix sessions, titling and audio laybacks while Associate Producer took leave of absence**Participated in production meetings; enhanced understanding of production process**Worked closely with executive producers, editors and assistant editors to complete episodes per final mix notes; QCd final high definition air masters to ensure flawlessness

**Managed accounts for company’s two biggest clients (CSI and CSI: Miami) while simultaneously handling several other active clients**Worked closely with clients to develop and implement personalized post-production strategies **Handled projects and scheduled sessions for multiple clients in all aspects of film and video post-production**Collaborated with sales, operations, and artists to complete work within client’s budget and on time**Expanded knowledge of high definition procedures, including down-conversions and cross-conversions

**Coordinated and scheduled TV/airline version and English-dubbed version mastering with clients, editors, sound editors, talent, directors, and vendors**Edited TV/airline versions of films and DVD bonus materials and prepared EDL and OMF files**Supervised online edit sessions, ADR sessions, and mix sessions**Managed team of interns**Served as technical supervisor for special screenings**Located and tracked film, video, and audio elements worldwide**Conducted daily dub room operations**Created and maintained database of television versions of films

**Supervised ADR for English-dubbed foreign films**Arranged ADR sessions by coordinating with agents, managers, and talent**Utilized Avid Media Composer to edit sound and digitize features and b-roll**Managed SAG paperwork for talent**Substituted for the president’s assistant**Managed submissions of scripts, potential acquisitions, and works in progress