7th Art is an independent producer/ distributor of specialized films noted for releases of award-winning documentaries such as: Academy Award® winner, The Long Way Home (1997) and Academy Award® nominees: The Farm, Angola USA, (1998), Speaking in Strings (1999), Long Night’s Journey Into Day (2000), Balseros (2004), The Wildest Show in the South (1999), Eyewitness (1999), incident in New Bagdad (2012) and Chau Beyond the Line (2016). Academy Award® short-listed films include: Coming to Light (2000), the Nazi Officer’s Wife (2003) and Jonestown: The Life and Death of Peoples Temple (2006). Theatrical films include: Art and Copy, Steal a Pencil for Me, Ben Harper's Pleasure and Pain, MGM’s American Pimp, Better Living Through Circuitry, Radiohead's Meeting People is Easy, Columbia/Miramax’s Glory Daze and many more. Production credits include: Midnight Edition (MCA/Universal 1991). Breast Cancer Diaries (2006), Art of Flight (2005), Call it Democracy (2004), Word Wars (w Discovery 2004), 5 Sides of a Coin (2003), the Longest Game (ex producer for 7th art- 2013) and Westling with Alligators (2016).

we get lots of new documentaries (and fiction) every year. here is one:PERSONAL CHEDead at 39 in 1967 in Bolivia, Che's myth has endured unabatedly for 40 years. The filmmakers went after not the man, well covered in many documentaries, but the much more diversified and interesting myths surrounding him. In 12 different countries, the film follows a wide array of people who reinterpret, abuse or embody the myth of the late Argentinean revolutionary. 60 min.

helped Howard Libov to option life story, hire writers and negotiate deals. worked with fellow producer/director and writers on screenplay, while scouting locations in rural Georgia and gathering above the line personnel (a few people got their first shot on Midnight Edition and continued on to amazing carriers). Film was shot totally on location over a very rainy winter (about 35 shooting days) then it was edited in Los Angeles. Crew and actors came down from NY and LA to join Atlanta locals. Alll we had ended up on the screen. Biggest problems were when SAG shut us up for a few hours due to (their) missing paperwork and a police visit following calls from neighbors about drug dealers on cell phones in the yard (cell phones circa 1990). GHP forgave me a speeding ticket, ... (and i was not going 80) the power of film! We finished on time and under budget. After editing in LA for some time, we shot some pick ups back on location. Eventually we went back for cast and crew screenings in Atlanta with the finished film straight out of the lab; from there there was a long list of festivals all over the world. it has been one of the greatest experiences of my life. to sum it up: "dare to dare and you will get things done." sounds likes Goldwyn's "the bitter with the sour".. but true nevertheless. Midnight Edition has been a defining experience for me; it grew out of my work and friendship with Howard Libov at the American Film institute and started another great friendship with Jonathan Cordish (then of another great films school- USC).