Verónica Aurora López Email & Phone Number

Vancouver, Bc, Ca

Oaxaca, Mexico

As a Teaching Professional, I deliver courses on Animation and UX, focusing on the latest industry workflows and techniques. My instruction covers a range of topics including: -Cinematic Creation in Unreal Engine: Guiding students through the process of creating compelling in-game cutscenes and cinematic sequences. -Animation in Unreal Engine: Providing hands-on training in animating within Unreal Engine, with a focus on utilizing MetaHumans for advanced character animations. My approach integrates current industry practices to ensure students gain practical, up-to-date skills that are directly applicable to their future careers.

Peru

-Provide seasoned mentorship to graduates, helping them master subjects not covered in their university studies, such as new technologies in Unreal Engine 5. -My goal is to strengthen their skills and ensure they're well-prepared for a successful entry into the game development industry. Check out the work of my student Fabrizio: https://www.artstation.com/artwork/P6aYg4.

Pachuca De Soto, Hidalgo, México

-Teach about the most recent workflows in creating AAA 3D assets, covering the entire pipeline from modeling to texturing and normal map baking, with a focus on workflows optimized for Unreal Engine 5, using tools like Blender, Substance Painter, and ZBrush.-Provide instruction on environment art, including level design, terrain sculpting, foliage creation, lighting, optimization techniques, and cinematic animation within Unreal Engine 5.-Teach illustration for video games, focusing on concept art and visual storytelling. Additionally, instruct students in animating their characters in After Effects, bringing their illustrations to life.-Enthusiastic about organizing conferences, events, and trips to relevant studios in the video game industry to support and enhance student development and career growth.

-In Unreal Engine 5, I created Level Instances and Player Level Actors to dress a whole map with different zones within it, as well as basic environmental elements like foliage and terrain sculpting. -Specialize in creating props using the Hand Painted technique for texturing purposes. Additionally, I handle integration into Unity, creating LODs and Prefabs for each element. I am also involved in editing and creating shaders specifically for foliage within the engine.

Portland, Oregon, United States

- Part of the Liquid Development crew as a 3D artist.- Internship in AAA game asset creation and hard surface modeling.- Internship in VFX techniques using Unreal Engine 5, with a focus on VFX systems like Cascade at the beginning and then Niagara.

México

Engaged in the development of Homeward at https://360devlab.com.-Involved in the development of snow shaders and the application of decals within Unreal Engine 5. Also responsible for designing and optimizing 3D assets tailored specifically for this engine, ensuring high performance and visual quality.

Vancouver, Columbia Británica, Canadá

I've crafted a range of props developed in past weeks for Mouse Haunt, collaborating with incredibly talented artists. Feel free to explore them at https://mousehaunt.com/ to witness the final results! Currently, I'm under contract as a 3D artist.• Creating prop models using Blender and Maya• Precisely unwrapping UVs• Applying textures in Substance Painter.• I delivered the assets with the quality standards and workflow indicated by the current lead.

Vancouver, Columbia Británica, Canadá

I completed a half-time internship focused on creating and texturing 3D models for a VR environment. I maintained effective communication with cross-functional teams and seamlessly integrated into their workflows to infuse the essence of Mozilla Hubs into the project.• Collaborated closely with the Art Director to align on visual objectives and uphold quality standards.• Worked in tandem with the Tech Art team to uphold model delivery guidelines, enabling efficient deformation, expression, and optimization.• Provided valuable, constructive feedback during content reviews within the art team.

México

California, Estados Unidos

Intensive project for modeling and texturing 3D assets for a 3D simulation.• Modeling Props with Blender and Maya• Unwrap UVS• Baking High Poly to Low Poly• Texturing with Substance Painter.

Puerto Vallarta, Jalisco, México

Lead Background artist for the mexican Videogame Axol.

México

2D/3D Concept Artist for mobile videogames.

Oaxaca, México

Soy Co-fundadora de Ay Sandunga Media, hacemos cine y cortometrajes. Fuimos seleccionados en Cannes 2020.

Education record

Licenciatura, Animation, Interactive Technology, Video Graphics And Special Effects

Bachillerato