✔ Planning, coordination and definition of marketing campaigns and communication strategies for distribution of audiovisual products in the Brazilian market.✔ Interface with various distributors, TV channels and streaming services.✔ Assistance for producers/directors from the initial meeting, as well as sponsors and investors of the projects.✔ Relationship management for talents, agents, directors and producers during the release of audiovisual products, as well as at film festivals and audiovisual industry events.✔ Budget preparation to produce videos and events.✔ Hiring of essential services, suppliers and department support.✔ Management of the company's relationship with the press and various communication vehicles.✔ Press junket production (events to release/market audiovisual products to the Brazilian press and influencers).✔ Content development and adaptation for the press and clients; press books, press release writing and approval.✔ Production and editing of audiovisual pieces to support the release of movies and TV shows, such as trailers, tv spot, teasers, making-ofs and EPKs.✔ Fundraising and finance monitoring of projects and new businesses; contract revision.✔ Development of corporate partnerships and promotional marketing.✔ Script reading of movies and TV shows.✔ Social media channels and team coordination. ✔ Highlights: "Minha Vida em Marte," a comedy seen by 3.5 million viewers; "Não Vamos Pagar Nada," (based upon "Can't Pay? Won't Pay!" play by Nobel Prize in Literature Dario Fo; the movies "Airplane Mode," "Double Dad," (Netflix); both global success, "Luli"(to be released), "Vai Que Cola," co-production with Conspiração Filmes; and the TV shows "Noturnos" (a co-production with Canal Brasil/Globoplay), "Galera FC" (WarnerMedia/TNT). Brasil worked as a producer of the movie "Cansei de Ser Nerd," when he aligned co-production needs with Paramount Pictures and Telecine channel, revised contracts and mediated negotiations.

✔ Executive producer of the movie and TV show “Além da Paixão,” a biopic of psychic Yvonne do Amaral Pereira directed by Zelito Vianna.✔ Developed the project for the children and teen movie and TV show “Os Invencíveis,” based on the book franchise of the same name by Ana Cristina Massa.✔ Coordination and development of the original script for the movie “Frevo Mulher”.✔ Associate producer of “Fair Play,” co-produced with Telecine and distributed by Elo Company.✔ Produced the Remaster Festival, Classics of Brazilian Cinema (Festival Remaster, Clássicos do Cinema Brasileiro), an initiative to educate the audiovisual public showing Brazilian classic movies. This project was supported by TV Globo, Rádio Globo and Canal Brasil, among others.

✔ Planning, coordination and definition of strategies to sell movies.✔ Interface with talents, content distributors, TV channels and streaming services.✔ Project fundraising, finance monitoring and contract revision.✔ Management of the company's relationship with the press and various communication vehicles.✔ Vendor management.✔ Budget preparation to produce videos and events.✔ Hiring of essential and support services to launch marketing campaigns.✔ Production of press junkets for events.✔ Social media and digital channel coordination. ✔ Production and editing of audiovisual pieces to support the release of movies and TV shows, such as trailers, videos, spot teasers, making-ofs and EPKs.✔ Highlights: “Noites de Alface,” adapted from Vanessa Bárbara’s short story with Marieta Severo as the leading actress. The movie was released in June 2021. Acting as associate producer, Vitor negotiated the co-production and licensing contracts with Canal Brasil and TV Globo. While supervising the teams, he was also responsible for the project’s marketing and communication campaign. Vitor was one of the remastering producers of the movie and TV show, “Auto da Compadecida,” by Guel Arraes, and several TV Globo’s own titles, such as “Os Normais 1 and 2,” “A Grande Família” and “Cazuza”.

✔ Performed activities similar to the ones listed above.✔ Highlights: “Chacrinha, O Velho Guerreiro,” by Andrucha Waddington. Associate producer of the documentary “Chacrinha, Eu Vim para Confundir e Não para Explicar,” by Claudio Manoel and Micael Langer, co-produced by Globo Filmes. “Isolados,” by Tomás Portela. Coordinated the movie script development for “A Vida Sexual da Mulher Feia,” with Otávio Mulller, based on the play of the same name.

✔ Planning, coordination and definition of (online and offline) marketing campaigns and communication strategies for audiovisual products in the Brazilian market.✔ Interface with various distributors.✔ Relationship management for talents, directors and producers from the kickoff meeting, during the movie release as well as at film and audiovisual industry festivals.✔ Management of the company's relationship with the press and various communication vehicles.✔ Organization of press junkets for events.✔ Development of corporate partnerships and promotional marketing.✔ Production and editing of audiovisual pieces to support the release of movies and TV shows, such as trailers, videos, spot teasers, making-ofs and EPKs.✔ Budget preparation and hiring of essential and support services.✔ Highlights: “Muita Calma Nessa Hora 1 and 2,” by Felipe Joffily; “Cilada.com,” by José Alvarenga; the documentary “Sobral – O Homem Que Não Tinha Preço”; the movie and TV show “E Aí, comeu?”; “Os Caras de Pau”; “No Retrovisor”; “Depois de Tudo;” and “Chocante”.

✔ In addition to working as Post-Production Producer, performed activities similar to the ones mentioned previously.✔ Highlights: Post-Production Producer for “Gonzaga, de Pai para Filho” (2012), by Breno Silveira, and head of marketing for “Os Penetras” (2012), by Andrucha Waddington; and “Rio, I Love You” (2014), an international co-production.

✔ Performed activities similar to the ones mentioned previously.✔ Highlights: “Getúlio,” directed by João Jardim and produced by Carla Camuratti; the documentary “Los Hermanos,” directed by Maria Ribeiro.

✔ Communication and Marketing Coordinator for the C.e.l.u.c.i.n.e. Festival✔ Assistance for clients and sponsors.✔ Hiring of essential services and marketing support.✔ Organization of press events.✔ Support to content producers/directors.✔ Management of special training projects in cinema and new formats.✔ Production of training seminars held at Brazilian film and audiovisual industry festivals.

✔ Production and adaptation of content aimed at the press and clients.✔ Organization of press junkets for events.✔ Production of press releases and press books.✔ Budget preparation and hiring of essential and support services.✔ Together with the marketing department, management of the company's relationship with the press and the media.✔ Relationship management for talents, directors and producers at kickoff meetings, film festivals and audiovisual industry events.✔ Production and editing of audiovisual pieces to support the release of movies, such as videos, making-ofs and EPKs.✔ Planning, hiring and producing of content for the movies and the company`s website.✔ International Highlights: “March of the Penguins,“ Oscar for Best Documentary; “The Assassination of Richard Nixon,” with Sean Penn; “Copying Beethoven,” directed by Agnieska Holland, with Ed Harris; “Dreamer,” with Kurt Russell; “Because I Said So,” with Diane Keaton; “Il Caimano,” by Nanni Moretti; “Mon Meilleur Amie,” by Patrice Leconte; “Proof,” directed by John Madden, with Antony Hopkins, Jake Gyllenhaal and Gwyneth Paltrow; “Azur & Asmar: The Princes' Quest,” by Michel Ocelot; “Alone,” a Thai blockbuster; “Goya's Ghosts,” by Milos Forman.✔ Brazilian Highlights: “Antônia,” by Tata Amaral, Official Selection Berlin Film Festival; “Anjos do Sol;” “Batismo de Sangue,” Winner of the Brasília Film Festival, the animations “Garoto Cósmico” and “Wood & Stock;” the documentary “Histórias do Rio Negro;” “Irma Vap,” directed by Carla Camuratti; “Querô,” produced by Gullane Filmes; “Meu Nome Não é Johnny,” a Sony Pictures/Downtown Filmes production; “Estômago,” directed by Marcos Jorge and winner of Rio Film Festival 2007; the documentary “Panair do Brasil”.

✔ Script Supervisor for the “Alma Gêmea” soap opera.

✔ Project Management for the Executive Training Course in Cinema in Rio de Janeiro and São Paulo, a pioneer course on the subject in Brazil.✔ Planning, development and execution of training projects for professional in the movie industry (seminars and workshops in Rio, São Paulo and Manaus).✔ Production and adaptation of the content for students.✔ Consulting for audiovisual projects, research, writing, editing, formatting, training for pitching movie and TV projects.

✔ Fundraising presentations for the channel’s projects.✔ Program production; planning, development and writing of audiovisual projects for TV.✔ Production and adaptation of institutional materials and content for the channel's website.✔ Financial management and budgeting.✔ Accounts payable, cashflow management and KPI reports.✔ Hiring essential and support services.

✔ Highlights: Wild Bunch International Sales (www.wildbunch.biz), “The Brown Bunny,” by Vincent Gallo; “Interstella 555,” “At Five in the Afternoon,” by Samira Majmalbaf, “Swimming Pool,” by François Ozon, “Les Egarés,” André Téchiné.