Head of Central Art PRC from 2022 till now. Senior manager of Kunsthalle department at K11 Guangzhou from 2018 to 2022. Curator of He Xiangning Art Museum, Shenzhen, P.R.C from 2008 to 2018 and PhD candidate in “Museology, Curating and Audience” at Academy of Visual Arts in Hong Kong Baptist University from 2014 to 2017. He is dedicated to curating, critic, research, research of Chinese contemporary art and overseas, international culture exchange and culture management. Since 2007, Wang has been involved in Chinese contemporary art as a curator, critic and editor, focusing on critical, experimental and marginal contemporary art and young artists world-wide. With abundant curating experiences, he devotes himself to further examine the role of curating and how curating shape the knowledge production in museum and become an efficient vehicle to enable multiple voices in contemporary art. Educational and Professional Background2014 --- 2017PHD candidate in Museology and Curating, Academy of Visual Arts, Hong Kong Baptist University 2016 Was selected by Tate Modern as one of the 31 international art professionals to take part in Tate Intensive: Making Tomorrow’s Art Museum, London, UK for the study, communication and discussion on future trend and development of museum in the 21st century. Invited by Jeonbuk Museum of Art to Asia Contemporary Art Exhibition 2016 for a keynote presentation Chinese Contemporary Society and Experimental Art.2015 Invited to the seminar Visualising Chinese Borders Project, Hong Kong. 2014Invited to the curator-talk and international symposium of the show Open Museum Open City at MAXXI Art Museum, Italy. Invited to the symposium of the show Slant of East Longitude: In Searching of Belongings and Positions of North and South through Visual Dialogue at Tainan National University of the Arts.2013Invited to the Kuandu Museum of Fine Arts (Taipei) for curator residency program2012Invited to the dOCUMENTA 13 in Kassel, organized by Goethe Institute and intended to invite 10 Chinese young curators full with experiences and praxis in curation in order to broaden the international exchange and communications in the field of contemporary art.2010Invited to participate in the Curatorial workshop “Real Players” (13 in total from different countries) 2009 Invited to participate in the Culture Management in China, organized and developed by Goethe-Institute Peking, Freie Universitat Berlin’s Institute for Culture and Media Management and Stiftung Mercator