Handle all aspects of technical production.High-output, web-media production company, averaging 60-80 Million minutes of watchtime per month across multiple content distribution channels.The goal - bridge the gap between creative and technical production; making high-end production systems as easy to use as flipping a lightswitch.- Design and execute the building of sets (both single and multicam) across multiple studios.- Lighting design, rigging, and programming for all spaces. Easy-to-use iPad-based controls for each.- Camera and lens package selection- Video and audio routing and recording- Color grading and pipeline. Over 30 custom LUTs built, allowing for high dynamic range, log video capture to be utilized in quick-turnaround production- Back-end server design, build, and management. Includes roughly 230TB of storage, remote access solutions for editors, and LTO Tape long term backup systems.- Data usage tracking for all projects. Information parsed for company understanding of production growth- Budgeting, purchasing, and repair of all production equipment

- Livestream Broadcasting and Technical Direction- Studio design and build-outs for creator-run live shows/podcasts- Live virtual concert experiencesClients include: Tim Heidecker and Kesha

- Features- Shorts- TV Shows- Commercials- Fashion- Music Videos- Web Series

Broadcasts cover RIT's Division I Hockey Team, and air live on the Time Warner Cable Sports Network across New York State as well as TSN in Canada.As a Camera Technician: - Responsible for guiding the setup and preparing of the cameras for live hockey broadcasts, and the tear-out afterwards.- Constantly work to make improvements to the various picture settings within the cameras to provide the best picture match between the various camera models, and the most aesthetically pleasing picture possible for the broadcast.- During the broadcast, I am responsible for communicating with the camera operators to address any issues that may arise, and act as a liaison between them and the engineering team if needed.A usual set-up includes 10-12 cameras:- 4 human-operated Panasonic HPX500s and 6-8 Panasonic robotic cameras.As a Shader:- Responsible for adjusting the apertures, white balances, and overall color of all cameras during the live broadcast to provide the best technical and creative image quality, as well as the best visual match between cameras.

Provide sound, light, and power reinforcement a wide range of events.Events ranged from small town-hall events, to theatrical dance performances, to large concerts including: FUN, Macklemore & Ryan Lewis, and Steve Aoki.