● Worked as a Staff Writer on the game "Date Everything", featured at both Gamescom and Nintendo Direct.● Took creative ownership of 4 characters across the entire narrative pipeline, with over 16 000 words of dialogue.● Creating reactive, branching dialogue that connected over 100 characters.● Prepared scripts for voice actors using dialogical, linguistic, and emotional contexts.● Character and concept design, in collaboration with art, audio, and other members of the narrative… Show more ● Worked as a Staff Writer on the game "Date Everything", featured at both Gamescom and Nintendo Direct.● Took creative ownership of 4 characters across the entire narrative pipeline, with over 16 000 words of dialogue.● Creating reactive, branching dialogue that connected over 100 characters.● Prepared scripts for voice actors using dialogical, linguistic, and emotional contexts.● Character and concept design, in collaboration with art, audio, and other members of the narrative team.● Designed and implemented a wide range of character-specific narrative mechanical elements, using Ink. Show less

● Establishing and maintaining a database of over 400 mentors for the IGDA-Foundation’s mentorship programs.● Maintaining relationships with both mentors and mentees, organising networking events, round-tables, workshops, portfolio and resume reviews.● Pairing over 150 mentors and mentors according to experience, proficiency, and ambition.

● Wrote a successful grant application for the inaugural round of Screen Australia's "Emerging Gamemaker's Fund".● Took responsibility for the design and development of narrative structures and systems, working closely with programming to implement solid foundations for further production.● Created and maintained the project NDD inside an excel sheet designed to centralise all narrative assets.● Responsible for designing characters, relationships, and narrative from the ground… Show more ● Wrote a successful grant application for the inaugural round of Screen Australia's "Emerging Gamemaker's Fund".● Took responsibility for the design and development of narrative structures and systems, working closely with programming to implement solid foundations for further production.● Created and maintained the project NDD inside an excel sheet designed to centralise all narrative assets.● Responsible for designing characters, relationships, and narrative from the ground up.● Writing a wide berth of reactive and active dialogue designed to play alongside player action, rather than inbetween it. Show less

● Shipped from inception to steam release. ● Establishing the Narrative Design Document (NDD) for a procedural dating simulator, mixing elements of TTRPGS and visual novels into unique gameplay experiences.● Finding balance between procedural and static narratives, meshing them together to tell cohesive stories that still feel unique to each player.● Serving as a consultant on queer gender and sexual identities in romance genres.● Wrote barks, ambient dialogue, and branching… Show more ● Shipped from inception to steam release. ● Establishing the Narrative Design Document (NDD) for a procedural dating simulator, mixing elements of TTRPGS and visual novels into unique gameplay experiences.● Finding balance between procedural and static narratives, meshing them together to tell cohesive stories that still feel unique to each player.● Serving as a consultant on queer gender and sexual identities in romance genres.● Wrote barks, ambient dialogue, and branching diaolgue for a range of the twelve main characters. Show less

● Outsourcing narrative design, writing, and localisation for contracts in both the AAA and Indie sphere.● Collaborating in writing teams, with a wide range of experiences.● Working concurrently across a range of time zones and countries.

● Written over a dozen plays with more than thirty individual productions in Australia, the UK, and the United States.● Work that has been published by Australian Plays Transform and studied by high school students as part of the Queensland State English syllabus.● Collaborated with hundreds of other artists: designers, actors, directors, and dramaturgs, all with the intent of creating the best possible work as a team.

● Created and pitched the original concept about a queer couple escaping the fall of the Soviet Union.● Solo writer for the 10 000+ word branching narrative with multiple endings, written in Inkle.● Collaborated with production, audio, game design, and art to tie together the narrative design into a cohesive story.

● Established the 6000+ word “common” route, setting up potential chapters for each of the romanceable characters.● Established the relationship point system to determine which other routes eventually become available.● Served as a consultant on queer gender and sexual identities in romance genres.

● Auditioning, producing and programming 52 shows across a 5 day season as part of the inagural Discord 879 Theatre Festival.● In charge of 6 venues with simultaneous works.● Liaising with artists and other producers over the three month period to best support the artists and their work.

● Writing contracts for associated creatives. ● Production and rehearsal scheduling. ● Budget allocation and pay distribution. ● Liaison with venues and sponsors. ● CRM data entry and analysis of demographic distribution. ● Graphic design for a variety of different advertising campaigns on various social media platforms.