Lasso Group specializes in the piracy protection and monetization of (digital) Film and TV rights on traditional and social media platforms including the delivery of content to social media and streaming platforms. Management of delivery of content to platforms & liaising with clients and technical partners about coding of content for the various platforms we service. Dealing with producers, clients, and rights owners in relation to their content on digital platforms & providing client, marketing and other type of analysis based on the information available on all managed platforms. Set out strategy for Digital Distribution service.

Producer royalties due on Film and TV program broadcasts and/or viewings throughout the World.Fintage will identify usage and collect royalties direct from the collection societies around the globe and will disburse it to licensors or rights holders.The AVPR Department specializes in the collection of secondary rights.Liaising with the secondary rights collecting societies ensuring that catalogues are registered correctly and to analyze the financial results of the claims submitted. Maximizing royalty income for the clients. Performing post-distribution analysis. Coordinating the copyright team's work.

Managing talent negotiations, estimating talent renewal fees, counseling on productions for brands, agencies and production companies according to SAG contract & guidelines.

Managing Global Usage Rights renewals, negotiations and all usage rights matters across the business for Peroni Nastro Azzurro (SABMiller) including talent, models, music licensing, brand ambassador partnership, IP rights, film rights negotiations

Clients: SABMiller (Peroni, Grolsch, Pilsner Urquell), AstraZeneca, Cancer Research UK, SkandiaOverall responsibility for the management of all usage rights matters across the business and managing corporate and commercial productions (budgeting, scheduling, contracts, pre-prod, shoot, post-prod)

Managing the digital TV broadcast process of commercials including in house quality control check, copy clearance, placing distribution bookings and issuing copy rotation instructions to TV & Radio broadcasters

Clients: Reckitt Benckiser, Procter & Gamble, Toyota, Aviva, GSKScheduling and co-ordinating the communications and day to day workings of the production house; controlling directly pre-production, shooting and post-production phases; supervising the overall project including contracts and budgeting

Clients: Unilever, Kraft Foods, Nestle, Coca-ColaSelecting and efficiently managing suppliers for film, photography, TV and press campaigns; building strong partnership relationships with suppliers and clients; liaising with accounts departments during the negotiation of terms and conditions with suppliers; budget responsibility and cost control to ensure projects stay within the budget