As a co-founder of the blockchain art group Volume DAO, I focus on the integration of distributed network infrastructure and art. I engage in writing, speaking, recording, organizing events, and implementing projects related to these topics. I have participated in curating exhibitions such as 'Do Machines Dream of NFT?' (2022) and 'Generative Taipei On-Site' (2023). Since 2019, I have been writing art critiques and served as a critic for the National Culture and Arts Foundation's Performing Arts Critique Project (2019-2022), a nominee observer for the 2023 Pulima Art Award, and currently a nominee observer for the Taishin Art Award and a columnist for ARTouch. Additionally, I hold a PhD. in Political Science from National Chengchi University, specializing in political philosophy and historical theory. In 2012, as a member of the sound collection group 'Minkoku Hyakunen' formed with Huang Dawang, we received an Honorary Mention in the 'Digital Musics & Sound Art' category at the Ars Electronica in Linz.