As a seasoned writer and narrative designer with a passion for gaming, I bring a wealth of experience in both AAA and indie game development to the table. I believe that every aspect of game development is an opportunity to tell a compelling story, and I'm dedicated to ensuring that every department is equipped to contribute.With a keen ear for dialog and a deep understanding of storytelling mechanics, my mission is to empower teams to create truly impactful player experiences. Reach out today, and let's work together to weave narratives that resonate and worlds that captivate.

Currently working on [REDACTED], contracted via the wonderful folks over at The Halp Network.

Teaching the future game writers and narrative designers of the world how to craft engaging and meaningful experiences.

Super Secret Work on an unannounced title.

As Senior Writer on God of War: Ragnarok, I worked closely with designers and artists to bring the game's story to life. I lead the narrative efforts on Alfheim, Vanaheim (2nd visit), and the final battle of Asgard, while providing feedback and input on various other sections of the game.

Additional Writing on Horizon: Forbidden West. Pitched and wrote several quests, working with Quest Designers to create engaging player experiences. Wrote several character sheets and one-pager outlines for quests.

As Narrative Designer on God of War, I was responsible for writing all of the side quests found throughout the games. I learned how to support and develop the game's larger themes through dialog and story, and worked directly with the talented level designers to implement and iterate on these quests throughout development.I wrote all of the game's combat banter, and learned from the studio's engineer's how to tune the frequency and conditions of the dialog so as not to annoy the player.And finally, I wrote the bulk of the Journal Entries from Atreus' perspective, utilizing another in-game medium to develop his character.

- Coordinating Auditions, Casting Calls, Headscans, Voiceover, Mocap and PCAP sessions.- Handling paperwork and budgets associated with these sessions.- Client relations.- Writing character breakdowns and editing sides to send out to various agencies and talent databases, then listening through and organizing the incoming auditions.- Dialog support: Editing, Session prep, File delivery

Overseeing the VO Pipeline: - Working with writers and level designers, and managing the incoming line requests and scripts. - Working with the casting director to cast, schedule and book VO sessions. - Directing VO sessions, tracking the recordings and managing received assets from our vendors.- Implementing final, processed VO in-game.- Managing the VO Localization pipeline.

Worked directly with the Director of Creative Development to coordinate voice recording, directing, editing, mastering, localization and implementation of voiceover for several different major titles:-Evolve-XCOM: Enemy Unknown-Spec-Ops: The Line-The Bureau: XCOM Declassified-The Darkness 2

Worked as Lead Dialog Editor for the upcoming title, "Darkness II".

Record/Edit Voiceover, oversee sessions, assist engineer and casting director, script formatting.

I'll occasionally cross over to the other side of the glass for non-union roles, mainly in animation and video games. I've attended several workshops:- Private lessons with Ginny McSwain- Various Garden of Sound workshops- Charlie Adler- Pat Fraley- Accent coaching with Samara Bay

Dialog Editor, Note-Taking, Script Printing, Asset Management, Talent Wrangler and All-Around Help-Wherever-Needed.

Recording VO for various animated shows, including Robot Chicken (Adult Swim) and Trip Tank (Comedy Central).

XCOM: Enemy Unknown. - Worked with Lead Systems Engineer to optimize the different voiceover systems in the Unreal Engine.- Worked directly with 2K Games' Localization Director to coordinate and implement 5 different languages into the game.- Assisted Lead Audio with mixing, sound effects, ambience and music tasks.- Assisted Animation team with any audio related tasks in cinematics.- Oversaw tracking document of all narrative and soldier VO in the game. - Coordinated editing, mastering, and implementation of all voiceover.

Edited and Mastered VO for Darkness II, Spec Ops: The Line, The Bureau: XCOM Declassified and XCOM: Enemy Unknown.

Making sure the hundreds of people who show up to free screenings fill out the necessary paperwork, are seated in a timely and organized manner, and fill out their surveys after the movie has concluded.

Producing content for online sketch comedy program.

Editing, Client Services, Sales Support, Operations Support

Dialog Editor, Note-Taking, Script Printing, Asset Management, Event Planner, Talent Wrangler and All-Around Help-Wherever-Needed.

In the four years I studied at SCAD, I was introduced to many different aspects of sound design. SoundFX editing, music editing, live sound for theater and stage, location sound, 5.1 mixing, ADR and foley, music recording, dialog editing, sound art and sound synthesis.