I have co-designed and will be delivering themed drop-in activities as part of a series of Creative Takeover Day events in library venues across the borough. Visitors will participate in a creative activity based on collage, junk modelling and zine making.

I have been invited to curate and produce Late at Tate Liverpool events. These are large scale multi-platform festival style events aimed at engaging younger and more diverse local audience.

I am developing a platform called TrAIN Connect which aim to foster interdisciplinary collaboration between the TrAIN Research Centre and internal and external stakeholders including local authorities, cultural providers and community groups to build sustainable partnerships and deliver impact.-I am developing research projects that will significantly contribute to the academic research profile and activities of the TrAIN Research Centre. -I am working independently and… Show more I am developing a platform called TrAIN Connect which aim to foster interdisciplinary collaboration between the TrAIN Research Centre and internal and external stakeholders including local authorities, cultural providers and community groups to build sustainable partnerships and deliver impact.-I am developing research projects that will significantly contribute to the academic research profile and activities of the TrAIN Research Centre. -I am working independently and collaboratively as a member of the TrAIN Research Centre supporting and advising the Director to develop the centre's Knowledge Exchange capacity and to identify ways in which the centre can actively contribute to the wider Knowledge Exchange strategy at UAL.  -I am developing the pilot project called TrAIN Connect as a best practice Knowledge Exchange case study working within the wider framework of Public & Community Engagement and placemaking initiatives at UAL. Show less

Currently undertaking a funded research project in collaboration with The Research Centre for Transnational Art, Identity and Nation at UAL to explore Knowledge Exchange & Public/Community Engagement opportunities between TrAIN and the neighbouring communities. This project will explore potential models of collaboration with the aim of providing a framework for research and knowledge led community building. This will be a collaborative project engaging with academics, students, the local… Show more Currently undertaking a funded research project in collaboration with The Research Centre for Transnational Art, Identity and Nation at UAL to explore Knowledge Exchange & Public/Community Engagement opportunities between TrAIN and the neighbouring communities. This project will explore potential models of collaboration with the aim of providing a framework for research and knowledge led community building. This will be a collaborative project engaging with academics, students, the local community and business with the aim of identifying potential new partners and opportunities for collaboration with a focus on delivering social and cultural value. Show less

Teaching on a unit for 2nd year BA students called Professional Practice. This is a cross school unit that is undertaken by all second-year students within the design school at LCC, with a cohort of approximately 500 students. The objective of the programme is to develop students' core understanding of their professional context, introduce interdisciplinary collaborative working and build their professional capacity.

The Creative Mile is a new weekend art event in Brentford, West London celebrating local creativity. Now entering its second year, I have been contracted to develop a five year plan for the event including articulating the vision, identifying aims and objectives, measures for evaluation and identifying potential stakeholders and opportunities for collaboration.

As a creative facilitator and producer I am supporting Local Advisory Groups to plan and deliver participatory community arts events in Feltham and Hounslow. Creative People and Places is an Arts Council England funded project. The aim of the project is to increase engagement in Hounslow Borough with the Arts. The project works with Local Advisory Groups who play an active role in programming in 4 hubs across Hounslow.

>Successfully pioneered the model for the museum late, Late at Tate Britain - key to instigating multi-platform, festival style mix of art and performance to Tate in 2002.>In line with the Tate Audience Strategy I transitioned Late at Tate Britain to peer-led model in 2015 centring the voices of young people(18-25) in the curatorial process with the aim of producing content that was relevant to a young and diverse audience and those who might not usually connect with… Show more >Successfully pioneered the model for the museum late, Late at Tate Britain - key to instigating multi-platform, festival style mix of art and performance to Tate in 2002.>In line with the Tate Audience Strategy I transitioned Late at Tate Britain to peer-led model in 2015 centring the voices of young people(18-25) in the curatorial process with the aim of producing content that was relevant to a young and diverse audience and those who might not usually connect with galleries.>Art Production Manager of Live Art for Tate Triennial working for the curatorial team to realise artists commissions of large scale installations.>Instigated collaborations between Tate Marketing and summer festivals delivering complex performance pieces off site at Latitude and Camp Bestival working with artists and creatives to extend the reach of the Tate brand to targeted audiences. >Strong track record of developing innovative programme content for a wide range of audiences>During the Covid-19 pandemic successfully transitioned Late at Tate Britain onto the Tate digital platforms.The output was a magazine style monthly events including film, workshops and mentoring and career advice. This included developing content for Social Media platforms including Facebook and Instagram.>Actively contributing to audience development and diversification for example almost 75% of visitors to Late at Tate Britain are below the age of 34 attracting a younger audience than Tate usually achieves and over 30% of visitors identify as BAME double what is seen for Tate Britain as a whole (August 2017 - December 2019). Show less