Technical art, UI/UX, general Unity Development of apps for VR/AR/Mobile/Desktop.

* UI programming* Creating 3D objects of any type, focus on characters.* Technical art and setup

Celestial Architecht, Airship Engineer, Visual Magic and Pyrotechnics, Trainer of Skycaptains, Installation and Maintainance of virtual empires.

Holding courses in Zbrush on Character and Environment Art, as well as being an aid for students specializing as Character Artists.

Contracted to create and update art for Entropia Universe.

Lead artist for a group of six 3D artists in Shanghai-based Gameloft studio Redsteam. Responsible for leading the group and planning. Also creating 3D concept art, trailer assets, ingame assets as well as polishing existing assets for Gameloft productions and pre-productions worldwide.Finally also responsible for education and training of the studio artists as well as artists in other studios through workshops and online course material.

My career at GRIN started as a regular 3D artist working with props and environmental art, thereafter I progressed to do technical art and finally characters which is my favorite subject. This width in different fields and my high flexibility in my work have given me many assignments that have crossed the borders of my positions. I have often been the person to go to with tasks that needed to be handled quickly and still retaining a high quality.During my first three years at GRIN, I was the only one at the company with a solid Maxscript experience which proved to be an enormous asset since we had a MAX-based pipeline. Therefore I've also been the person to go to when tools for artists needed to be constructed.I have continually developed tools for work flow enhancement, optimization of content as well as tools for solving difficult tasks in all art departments at GRIN enabling our artists to be more efficient and deliver better content.I also got promoted to Lead Character Artist in June 2007 and have since then also performed several management tasks for my group such as production planning as well as education for new character artists.