I have a diverse background in Audio engineering and lighting/LED tech for varying areas from presidential and government broadcast, sporting events, halftime shows, audio for film and tv, Live FOH and Monitors for festivals concerts and touring, Recording as well as theatre. I have worked for a Meyer Sounds provider for years, I am also familiar with most Industry Standard Large and small sound reinforcement arrays and systems. Some of which include Adamson, L Acoustic, D&B, JBL and others. I am also proficient with all of today's Digital and Analog consoles.some client and company examplesPreservation Hall Jazz Band Monitor Engineer 2018-2021Trombone Shorty and Orleans Avenue Monitor Engineer/SM 9/2014-PresentEssence Festival Audio EngineerSXSW activations Audio Monitor/FOH Engineer The Lucky One (film) Location Sound-band reinforcementThe Campaign (film) Location Sound-band reinforcement / wireless mic coordination. SuperBowl Saints Hotel (Miami) Official After Party w/ Kenny Chesney, Better Than Ezra and Will I Am. Audio crew chief/ Monitor Engineer. Superbowl Superdome (New Orleans)Lighting tech + After Party FOH engineerNew Orleans Hornets/Pelicans Half-time Shows FOHEssence Live Interview Stage FOH Essence Music Festival Main Stage Production Engineer New Orleans Jazz fest (Jazz and Heritage Stage Monitor Engineer) 2006-Present New Orleans Blues And BBq festival Monitor Engineer on goingNew Orleans Seafood Festival Monitor Engineer on goingBayBridge Music Festival Monitor Engineer Harrah's Total Rewards Live Broadcast with Mary J Blige and Gavin DeGraw System tech/Monitor engineerDelfeayo Marsalis "Sweet Thunder" Tour FOH + Record EngineerF.I.R.S.T/NASA Ultimate Ascent Robotics Competition (multiple locations) FOH Organo Gold FOH+A2 (multiple locations)Mitt Romney Campaign coverage A1