- Creates budgets, coordinates staffing, and tracks schedules across multiple concurrent productions - Maintains a roster of freelance film crew and art department creatives with skillsets complimentary to Vox's rigorous editorial and creative standards - Oversees contracting and invoicing across all production support staff- Coordinates with internal departments (legal, finance, office ops, studio, etc) on production necessities - Designs and implements production processes and standards to close any team-wide organizational gaps - Manages annual department budget, regularly producing spec budgets for project bidding

- Coordinates all production needs for the Vox Video team- Manages all field productions from crew hires through final asset delivery, occasionally assisting on set - Tracks and updates annual department budget - Works with producers to develop realistic production timelines from scripting through publish - Keeps department publishing schedule accurate and up to date - Works directly with legal, studio, accounting, and office ops on all editorial and department needs - Ensures the appropriate location, appearance, and asset releases are sent, signed, and filed - Handles all contract generation and invoicing for temps, freelancers, and vendors - Hires and manages interns- Onboards all new hires, ensuring the production workflow is clear - Supervises production workflow for sponsored and internal video initiatives

- Works as a producer on feature films, TV shows, and digital content - Consults on story during script development - Manages locations logistics as well as production office setup- Creatively problem solves, including minor script changes suggestions as appropriate - Coordinates travel for cast and crew as needed - Tracks daily spending, reimbursements, and cash flow - Reports payroll and distributes paychecks - Manages all paperwork: tax filings, releases, ULB SAG-AFTRA papers, Exhibit G's and crew agreements- Ensures adherence to Union best practices and guidelines - Hires PA's and miscellaneous crew members as needed - Coordinates equipment rentals and returns- Tracks and organizes schedules relative to target delivery dates from pre through post production - Drives up to a 15 passenger van as needed

- Co-Producer of a Brooklyn-based indie comedy series- Works directly with writers and talent to generate best possible output- Writes and pitches investment packets for the purpose of securing equity financing- Creates and maintains the end-to-end production budget- Researches all info on NYS permits, city film laws, and tax credit incentives- Manages scheduling, location booking, and talent outreach- Handles call sheets, troubleshooting last minute calendar shifts - Attends and oversees shoots day-of

- Worked on the UCB Comedy (Don't Think Productions) Production Management team in exchange for course credit at the UCB Training Center- Participated in development meetings by pitching and supporting new content ideation- Managed production timelines- Handled the casting of top-level comedic talent- Created and tracked relevant paperwork (call sheets, releases, etc)- Assisted in receipt management and budget actualization- Coordinated studio needs with the Director of Photography- Lended Quality Control insights to ensure clean project delivery

- Booked talent for a live, monthly cross-generational storytelling night - Handled technical logistics leading up to and during the production- Created schedules and call sheets for production staff - Managed night-of setup and break down - Welcomed talent and ensured their performance needs are met

-Writes original sketch comedy scripts for live and digital platforms -Creates and manages production calendars, timelines, and budgets-Vets and hires directors, techs, videographers, DP’s, actors, writers, and editors -Books all performances venues and shooting locations -Develops and actualizes all production budgets-Contributes content to a social media to promote shows and new video releases. -Developed and currently maintains a website to represent talent and crew -Tracks and updates project timelines daily-Created an archive system for all scripts, social assets, meeting notes, and outside vendor contact info-Pitches new creative ideas on a regular basis, often providing accompanying framework for how each job can be accomplished

-Planning and producing all internal events from concept through budget management and day-of execution-Managing workflow, calendars, and scheduling for production teams -Liaising between vendors, contractors, and internal staff on installations and events-Proactively pitching improvements to day-to-day operations -Acting as first point of contact for IT and maintenance issues on productions and events

-Writes short scripts for online release -Leads independent research on all subjects -Finds videos and images to accompany copy-Fact checks and verifies sources prior to submission

-Wrote all copy for scripts, promos, pitches, proposals, advertisements, and endorsements-Consulted and collaborated on creative content for digital, TV, radio, and print -Developed strategies for pitching / selling creative concepts -Used an in-depth knowledge of social media to curate original online content on behalf of celebrity / media clientele -Managed scripts, talent, crew, and creatives on live sets-Led fast-paced research and headline selection for live radio and TV broadcasts

-Wrote copy for live news broadcasts-Led fast-paced research and headline selection-Assisted in creating content for promos, teases, and package lead-ins-Edited video to accompany on-air copy

-Wrote copy for live news broadcasts-Produced live and pre-taped packages in the field -Led fast-paced online and archival research -Assisted editors in video selection -Timed the show during the live broadcast, making cuts and additions to content accordingly -Monitored online response to broadcasts

-Created news rundowns for a live weekday morning broadcast-Edited video on tape-to-tape technology for reporter packages and VO's-Managed anchors, reporters, producers, writers, and editors from rundown creation to sign-off-Consulted with engineers regarding AV needs in daily meetings -Wrote on-air copy as needed -Led the control room during live broadcasts, making cuts and additions in real time

-Scheduled interviews and auditions for tv and stage productions-Dubbed archive footage and copied scripts for internal distribution -Filed expense reports and booked travel arrangements -Tried not to spend the whole day staring at the giant picture of Chris Farley above my desk