"Rubble & Crew" Season 2 (52 x 11', Spin Master / Nick Jr.)"Rubble & Crew" Season 3 (52 x 11', Spin Master / Nick Jr.)Coordinating: 3D Layout, 3D Animation

"Vida the Vet" Season 1 (52 x 11', Spin Master / BBC)Coordinating: 2D Builds/Rigging, 2D Animation

"Bubble Guppies" Season 6 (26 x 22', Nick Jr.)Coordinating: 3D Assets (Modeling/Surfacing/Rigging), 3D Layout, 2D Animation, 3D Animation

FX, Lighting, & Compositing Coordinator - "Abby Hatcher" Season 2 (52 x 11', Spin Master / Nick Jr.)

Storyboard & Animatics Coordinator - "Abby Hatcher" Season 2 (52 x 11', Spin Master / Nick Jr.)+ Responsible for coordinating Storyboards, Scripts, and Leica, reporting directly to Producer. + Scheduled weekly Leica editing sessions and screenings for the Director and Assistant Director.+ Prepared materials (2D designs, CG assets, scripts) for storyboard artists to launch into episodes. + Developed, scheduled, and monitored the storyboard revisions process during Leica editing.+ Facilitated outgoing leica deliveries & incoming client notes on each leica pass of an episode. + Organized, broke down & distributed incoming script drafts (first, second, polish) to production. + Transcribed & distributed meeting notes during weekly production and supervisor check-ins.+ Briefed revision artists & storyboard artists weekly on upcoming episodic priorities to complete. + Managed all incoming audio deliveries & outgoing pickup requests for the editorial team. + Facilitated all internal editorial requests from shot departments, resolving issues as required. + Trained production assistant on all front-end duties & responsibilities during transition phase.

Lighting & Compositing Coordinator - "Abby Hatcher" Season 1 (52 x 11', Spin Master / Nick Jr.) + Responsible for Lighting & Compositing departments, reporting directly to Production Manager. + Scheduled and ran episodic reviews between supervisors, artists, Art Directors, and Director.+ Scribed and published notes in Shotgun per the production's best practices. + Led dailies and internal reviews with supervisors & artists to track shot completion. + Facilitated outgoing client deliveries & incoming client feedback on episodes in progress. + Liaised with post-production house to ensure post deliveries arrived according to schedule. + Flagged production issues to solve based on feedback from artists & department supervisors.+ Assisted Production Manager in creating efficiencies in the pipeline based on said feedback.

Oversaw all project management & day-to-day operations in a startup setting. Drove creative direction including game content, production practices, and product & brand marketing, while working with game designers & programmers on build milestones and prototyping.

Managed the website development for True and the Rainbow Kingdom’s 2017 internationalNetflix launch. Secured vendor team, facilitated change requests, coordinated asset deliveries,oversaw review meetings with senior management, consolidated creative feedback from series'art, production & marketing departments, and designed the initial site flow & wireframes.

Coordinated creative & content development of digital projects for clients & original IP, including digital strategies, cross-platform media, game production, and emerging technologies. Daily project management on properties in development. Wrote creative & design documentation, funding & grant applications, and project proposals, while supporting overall business affairs.

Designed social graphic content for an original IP for iOS devices; assisted in creating visual content across most social platforms, utilised social media management tools (Hootsuite, SocialBlade, Google Analytics), designed & developed digital ad campaigns for Facebook, and coordinated & managed online video content on YouTube.

Assisted in developing the partner program at Boat Rocker Studios, Temple Street Productions' digital creative studio catering to online video production and YouTube partnerships. Responsibilites included:+ Monitoring YouTube Analytics for multiple channels in YouTube's Content Management System + Coordinating ContentID efforts to track and flag owned intellectual property & copyright claims+ Assisting in developing brand opportunities for Boat Rocker's affiliate partners+ Developing visual branding for partners via channel/content/social media/video optimization + Determining best practices for YouTube content creation for both partners & corporate clients+ Examining emerging trends/landscape of the online video industry & YouTube community

Plutoware Interactive was a video game deveopment team based in the RTA School of Media at Toronto Metropolitan University. Led a seven member core team & four contractors, and responsible for all creative direction and project oversight during each development phase, from conception to release. Completed a playable alpha build after four months of production.

Coordinated ground-marketing efforts for nationwide independent release, designed & distributed marketing/press materials across Canada, handled administrative/shipping-receiving duties, assisted in social media marketing, and maintained website/blog content.A Little Bit Zombie released to over 100 independent local theatres across Canada.