I test audio products and plugin development for the Multiverse Pedal (hosting digital effects), Multiverse Designer software (creating a digital pedalboard), and Effect Creator software (designing plugins and audio effects).

As a Technical Lead with Encore, I am responsible for the setup, operation, and strike of audio, lighting and video equipment for various corporate events. I ensure client satisfaction and event technology success. I also lead other technicians, managing timelines and delegating work.

TA for MMI 220 - "Intro to Recording". Responsible for grading tests, homework, and assignments. Lead test prep for students and hold weekly office hours. Manage course content, class schedule, and Blackboard. Respond to student questions and concerns.

As a Microphone Production Intern, I supported the various microphone departments at Telefunken, including the Dynamics team, the Small Diaphragm Condenser team, the Alchemy series team, and the Diamond series team. I was responsible for the preparation of microphone components, assembly of microphones, quality checking parts, testing capsules, and packaging final products.

As a Sales Associate, I communicated directly with clients, contractors, and salespeople. I offered expertise to customers to ensure their product needs are met. I handled ordering of building material and hardware, scheduled deliveries and pickups, and advocated for our new products and sales.

Culture Cauldron is a media company started by Syracuse University students that creates content around student artists. As the Head of Audio, I lead all on-site recording and live sound reinforcement. I also overdubbed and edited all audio for final video productions.

As a member Events and Technical Services, I worked in a wide variety of roles related to live events in order to support programming offered by the department of Student Engagement. I have experience as a crew member (scanning tickets, counting patrons, ushering, setting up chairs and tables), a stagehand (sound check, cueing Sound & Tech, managing performers while offstage), and Sound Tech (mic'ing full bands, managing venue PA systems, running sound for full shows).

As a Live Sound Engineer for VPA Recording Services, I worked under my professor and alongside other students to support live events held by VPA. We setup PA systems, monitor systems, and microphones, as well as supported visual aids and live recording.

As a Studio Engineer, I primarily worked in the Belfer Recording Studio, located inside the Bird Library Complex at Syracuse University. I set up microphones and stands, ran cables, patched in outboard gear, and tested signal chains. I ran Pro Tools sessions, tracked artists/bands, and produced music. I also mixed and mastered, and helped a variety of artists with distribution.

As a Music Projects Intern, I worked in the Brands and Properties division consulting for our clients on music sponsorships, artist and athlete partnerships, festival activations/experiences and music marketing. I specifically worked on the Dunkin Donuts account, where I pitched artists for a Dunkin-Artist partnership, recommended college athletes for the Dunkin College Athlete partnership, created graphics for Dunkin's partnership with LevelNext (a Madden NFL College eSports tournament), created mock decks for festival activations and experiences, and overhauled Dunkin x Live Nation's broader Music Strategy.

As an Intern at Futureproof, I was responsible for creating content for Futureproof's artists' social media pages, including Instagram, Facebook, Twitter, and YouTube. I primarily create shorter edits of music videos and other promotional material to post, and make fonts, edit photos, and update the website.

As the Recording Academy’s Grammy U Campus Representative for Syracuse University, I was responsible for tabling, posting flyers, and garnering interest from the campus community in order to recruit them to become Grammy U Members. I’d collect information about potential members, send informational and education emails, and hold presentations to engage and teach incoming members more about the organization.

As one of the "Bandersnatch" Concert Co-Directors, I led and coordinated a team of over 40 people across 5 of University Union’s executive boards to produce a 3-set concert for Syracuse University students. I managed a budget of over $75,000, and corresponded with talent agents, artist management teams, and University programming staff. I oversaw the process throughout conception, vetting, booking, advancing, and day of show activities, working alongside fellow students and professionals in the Music Industry.

As an Up&Up Campus Representative I crafted a team of dedicated campus members to promote the Up&Up Festival competition. We promoted the festival using physical and digital marketing techniques and engaged the campus community during pre-sale window to sell the most tickets for the concert series.