My company specializes in an Immersive Projection Experience called Immersense. A fully self sustainable mobile projection system that implements up to (8) 5000 Lumen 1080p projectors arranged within 360 degrees.We also create large-format 3D Printed, CNC machined projection and LED pixel mapped structures for both permanent business and residential installations, as well as temporary event installations. The structures are designed to be visually stunning, and stand out from typical scenic stage pieces.

In 2017, I began my journey in the events industry working in the warehouse. During this time, I honed my skills in industry standard equipment and practices, developing a strong foundation in the technical aspects of event production. A year later, I was promoted to the set/strike crew, where I gained valuable experience in the operational aspects of live events.Driven by my passion for audio and visual technology, I continued to grow within the industry, working my way up to become an A1 and V1 technician and crew lead. As an A1, I have become an proficient in sound engineering, working with top-of-the-line equipment to create a seamless audio experience for events of all types and sizes. As a V1, I have a deep understanding of video engineering, with a keen eye for detail and a commitment to delivering high-quality visual content.As a crew lead, I have developed strong leadership and project management skills, working closely with teams to ensure smooth operations and flawless execution of events. I am constantly pushing myself to stay up-to-date with the latest industry trends and technologies, and I am always looking for new ways to innovate and elevate the events that I work on.

As a visual art enthusiast, I started working with software in 2014, honing my skills in video mapping and design using programs like Resolume, HeavyM, Adobe, and 3D design software. Since 2016, I have worked as a Video Jockey with promotion and production companies that organize electronic music events in SLC. At SKY SLC, I managed a 360-degree video installation for eight months. Feeling limited by screens, I experimented with corrugated plastic cutouts to projection map onto, and then transitioned to using a CNC router for precision. I always had a dream of creating large 3D structures but it seemed out of reach, until I purchased a 3D printer from China with money I made investing in Bitcoin in 2020. With my printer I started Lumenight Project, creating large-format 3D printed LED structures for events and permanent installations for businesses and residences.

As the lead AV technician and show runner at City Creek Marriott, My main role was to manage the audio-visual equipment for events and conferences at the hotel. This involves supervising technicians, overseeing setup and ensuring that everything runs smoothly during events. I also assisted my manager with day-to-day operations, such as inventory management and supply ordering. The role required strong knowledge of AV technology and the ability to work well under pressure.

Amid the pandemic, since there were no events to work on, I shifted to residential AV installation, which turned out to be a valuable learning experience for me. This line of work allowed me to gain insights into the integration of audio and video for permanent installations. My tasks included creating servers for multimillion-dollar properties, linking all systems, and managing the projects. Our most extensive undertaking was a month-long project at a 50,000 square foot property in Deer Valley, where we connected 250 in-ceiling speakers and subwoofers across over 40 zones. As the project manager, I ensured that everything was connected appropriately into the rack, and the end result was a seamless, fully functional system.

During the pandemic, I was employed as a 3D Designer, Animator, and Compositor for a company that specialized in hosting live virtual music events in a real-time 3D environment using Cinema4D and Ventuz. Our debut show was held at the Poker Go studio inside the Aria in Las Vegas, and it successfully demonstrated the technology's capabilities. Our objective is to hold monthly events featuring world-renowned artists and collaborate with them to create a 3D world that reflects their music's vision. The technology also has tremendous potential for use in corporate events, such as conferences held in 3D space, and can accommodate thousands of live video streams to allow the audience to occupy a virtual environment.

Eclectic Events provides high-quality lighting and furniture rentals for events, and as the Event Captain, my role involves the setup and removal of all equipment and rentals. I coordinate with the team to ensure that everything is installed and dismantled as efficiently as possible while maintaining excellent communication and compliance with the client. Our headquarters is located in Denver, CO, and we have recently expanded with a new location in Salt Lake City. We have worked with various locations, including Sundance Film Festival, The Natural History Museum, and Stein Erikson, and have also traveled to other states to cater to events.