Host of Work History, a podcast that interviews professionals about their career, what led them there and where they are going. https://linktr.ee/WorkHistory

As the character Daisy, you can find me on Washing Well Wenches social media: Facebook, Instagram, TikTok, as well as featured on TV news appearances, Renaissance Festival Magazine, and multiple podcasts.I have performed at many festivals all over the United States including: Sherwood Forest Faire, Oklahoma Renaissance Festival, Koroneburg Renaissance Festival, Colorado Renaissance Festival, Washington Midsummer Renaissance Faire, Great Lakes Medieval Faire, Minnesota Renaissance Faire, King Richard's Faire, and Kansas City Renaissance Faire.

Director, Producer, Costumer, Actor, and PR Manager for No Parchment Needed. I create the show flow, write the opening/closing speeches, cast the troupe members, create the costumes by hand/scratch, solidify rules and games for the ensemble to play, negotiate contracts with Entertainment Directors, schedule and organize shows & performances, etc. We perform at many festivals, currently in CA, OR and WA.

As an NPC character, I send patrons of the Louisiana Renaissance Festival on quests, which are engaging puzzles that include vendor locations all over the festival. It's an acting role that includes sales, high patron engagement, management of the other employees, and financial organization.

With gentle love and attention to detail, I tended to all of the life and objects at the property - watering, feeding, cultivating, cleaning, caring.

Manage Work Study participants at The Second City Hollywood. Hire and train new Work Study participants, maintain the SCWS handbooks, maintain the SCWS schedule for all participants, weekly meeting/update, maintain sales reports, responsible for Box Office tills, maintenance of theater spaces, class rooms, offices and janitorial of the training center. House Manager from August 2014 - February 2016Box Office Manager from February 2016 to current

Very physical job, character work, and AGVA approved.

Conceptualized characters (face and body) during pre-production. Enhanced and upgraded the wardrobe selection.Created and pulled costumes during production phase.Maintained costume structures throughout season with repairs, laundry and reconstructions. Checked out, in and throughout the shift each talent individually for make-up accuracy, costume accuracy, and on-the-fly fixes.Kept a singular look and feel to each of 3 attractions and line entertainment.Laundered and stored the wardrobe at the end of the season.

Specifically: Associate Producer for Managed independent developers at Microsoft in Connected Experiences.

I learned how to operate a light board, became proficient in improvising sound and music, went through the entire class regiment (100-500) for improvisation. Additionally, I got my alcohol serving license and was able to bar tend some nights.

Tested the in-house level creation editor for the design and tools team to ensure the developers are working with the most productive tools.

Managed teams of 1 to 15 to create DS titles for high profile publishers such as DIS, EA and Activision.Liaison between the publisher and the team to ensure both met the requirements of the overall game.Created and held the team to the schedule of the project.Assisted with Design tasks (text, GDD writing, scripting), game feedback, and increasing morale of the team.Reduced crunch time by scoping the project when needed.Created proposals (high level GDD) for potential new games.

Managed teams of 1 to 15 to create DS titles for high profile publishers such as DIS, EA and Activision.Liaison between the publisher and the team to ensure both met the requirements of the overall game.Created and held the team to the schedule of the project.Assisted with Design tasks (text, GDD writing, scripting), game feedback, and increasing morale of the team.Reduced crunch time by scoping the project when needed.Created proposals (high level GDD) for potential new games.

Managed teams of 1 to 15 to create DS titles for high profile publishers such as DIS, EA and Activision.Liaison between the publisher and the team to ensure both met the requirements of the overall game.Created and held the team to the schedule of the project.Assisted with Design tasks (text, GDD writing, scripting), game feedback, and increasing morale of the team.Reduced crunch time by scoping the project when needed.Created proposals (high level GDD) for potential new games.

I started as a QA Tester and was promoted to QA Lead.

I was a QA Tester.

Logged flaws in game titles for the improvement of the product.