Responsible for, but not limited to: collaborating with the Director/VFX Supervisor, as well as, Seniors/Leads/HoDs across various departments to assess project and budgetary needs, conducting research + development, team management for Junior-to-Senior level artists, screening new hires, developing in-house tools, pipeline support, production management, look development, lighting, rendering, and compositing image sequences using: Unreal Engine, Maya, Blender, Adobe After Effects, Photoshop, GitHub (for source control), and ShotGrid.Film(s):• Kulipari: An Army of Frogs (TBA)

Responsible for, but not limited to: rendering image sequences, maintaining pipeline integrity, adjusting shaders, optimizing scenes, and compositing using: Autodesk Maya, Arnold, and Foundry Nuke.Film(s):• Chicken Run: Dawn of the Nugget (2023)

Responsible for, but not limited to: conceptualizing, modeling, texturing, lighting, animating, rendering, compositing, and editing photorealistic/stylized assets, scenes, and cinematics utilizing a multitudinous range of 2D and 3D software packages for self-produced IP(s), as well as, delivery to a variety of clients.Production(s):• Planetfall (TBA)Client(s):• Wide Angle Youth Media• MonsterEnvy

Responsible for managing the overall resources and operations of the company.Tasks include, but are not limited to: making major corporate decisions, acting as the main point of contact between collaborators, investors/sponsors, employees, and the public – as well as, periodically operating as a freelance creative professional.

Responsible for, but not limited to: creating light rigs, maintaining pipeline integrity, optimizing scenes, rendering image sequences, and compositing using: Autodesk Maya, Freak, and Foundry Nuke.Film(s):• Guardians of the Galaxy: Vol. 3 (2023)

Responsible for, but not limited to: Modeling, Look Development, Layout, FX, Lighting, Animation, Rendering, and Compositing using: Isotropix Clarisse, SideFX Houdini, and Foundry Nuke.TV Show(s):• Masters of the Air (2023)

Responsible for, but not limited to: creating light rigs, adjusting shaders, rendering image sequences, and deep compositing using: Foundry Katana, Autodesk Maya, Pixar RenderMan, andFoundry Nuke.Film(s):• Sonic the Hedgehog 2 (2022)

Responsible for lighting, rendering, and compositing image sequences utilizing: Autodesk Maya, Maxon Redshift, and Foundry Nuke.Film(s):• Kulipari: An Army of Frogs (TBA)

Responsible for, but not limited to: creating light rigs, adjusting shaders, rendering imagesequences, and deep compositing using: Foundry Katana, Autodesk Maya, Pixar RenderMan, andFoundry Nuke.Film(s):• Cats (2019)

Earned a professional certification at Technicolor Academy for Lighting & Compositing systems, which included: creating light rigs, adjusting shaders, becoming ACES certified, rendering image sequences, and deep compositing using: Foundry Katana, Autodesk Maya, Pixar RenderMan, and Foundry Nuke.

CAMERA OPERATOR: Responsible for physically operating stationary, craned, and dollied cameras – while maintaining the composition and camera angles of shots designated by the Director of Photography.MOTION GRAPHICS TD: Created, maintained, and directed the On-Screen and Lower-Thirds motion graphics for live events hosted by Full Sail University for a variety of clientele including, but not limited to: Behind-the-Scenes Tours, Graduation Ceremonies, WWE NXT, etc.