LooseWorld is a boutique studio with the DNA of a creative collective. We’ve built a body of work that ranges from FX to N.E.R.D, Comedy Central to Bacardi, Netflix to American Express, Bleacher Report to Microsoft.Our team has shaped the future of TV with shows like Battlestar Galactica, The Shield, and Avatar: The Last Airbender. We’ve defined the voice of culture-shaping brands like Super Deluxe, FBE and Buzzfeed. And we’ve done it all in collaboration with global powerhouses like Nike, Google, and Target. We could drop even more names from our past, but honestly, we’d rather talk to you about what comes next.

WACO: American ApocalypseOriginated and developed the concept, along with producing partner Edwin Zane, for the hit Netflix documentary series. Within 24 hours of launch, Waco: American Apocalypse became the #1 Series in North America.

Led a Research & Development initiative in Interactive Narrative and Experiential content. You know, like Bandersnatch.Intrigued? Need to know more? Here ya go... Working as a consultant to the award-winning digital studio FBE, oversaw the formation of FBE’s Interactive Content Lableading the organization and staffing for the division while also heading all interactive development and production. Executive Producer / Showrunner of fifteen air-able pilots for the choice-driven narrative platform Eko as a part of their multimillion-dollar development partnership with FBE. Projects included scripted, soft-scripted, unscripted and animated concepts -- many of which we’re the first interactive series of their kind. Personally created four original interactive series: the first-ever interactive skate video, the first-ever interactive Multicam series, an interactive celebrity interview format with tangible prizes, and an absurd cartoon about a secret agent. Led a Research & Development initiative within the FBE x eko partnership. Innovated new methods of utilizing Eko’s interactive platform, ranging from narrative design concepts to value-based-decision-making techniques and post workflowefficiencies.https://variety.com/2019/digital/news/eko-walmart-fbe-interactive-pilots-1203264941/

As Head of the Comedy Division, brought a talent and creator centric approach to the development of over twenty original scripted and unscripted series concepts.  Launched the company’s first scripted comedy initiative including series development in both live-action and animation. Worked with the creators of NorthSouth’s hit show Impractical Jokers to develop new series and formats to build on their success and find new ways to elevate their brand in the domestic and international marketplace. Oversaw packaging with CAA to connect internally developed projects to value additive partners and celebrity talent.

Developed irreverent series like the ambush late-night talk show Middle of the Night Show and White People Sh*t from Odd Future and Jackass creator Jeff Tremaine; scripted series such as Troubadour, a workplace comedy set at the world-famous music venue; hybrid concepts like Get Real, a hidden camera sitcom; and massive live events like MTV’s NYE 2015. Worked across departments to coordinate creative behind the rebranding of MTV’s Thursday Night programing block and series launch strategy of Ridiculousness, Broke A$$ Game Show, and Middle of the Night Show. Teamed with MTV News, while developing a weekly series around comedian Mike Kelton, to produce a Snapchat series that went on to become the highest viewed digital series in MTV history.

Co-Executive Producer on Funny or Die's Billy on the Street (Season 1-3)Now streaming on Netflix.

Supervising Field Producer on The Eric Andre Show (Season 3)Almost went to jail, twice. Totally worth it.[adult swim]

Supervising Producer on MTV sketch comedy show Hey Girl.Starring the very talented cast of Ali Wong, Sasheer Zamata, JC Coccolli, Esther Povitsky, Laura Willcox, Shelby Fero, Emily Axford, Daniella Pineda, and Wendy McColm

Threw some pretty rad parties for TFF back in the day. Independently produced all aspects of 19 sponsored festival events, which ranged from the Mayor’s Office Breakfast at the Gramercy Park Hotel for 50 guests to the Kodak Filmmaker/ Industry Party at Mansion Night Club for just under 2000 guests.  Coordinated directly with the sponsors to properly customize their events to fit their unique needs. Events were designed to strategically showcase the sponsors’ products and or services while providing the festival guests with a stimulating, yet comfortable environment to unwind.