Daniel Bradley Email & Phone Number

Auckland, New Zealand

• Analyzing print jobs and providing accurate cost estimates. I have: Reviewed and interpreted customer specifications and requirements to determine the most efficient printing methods and materials. Performed cost.
• Collaborated with sales and production teams to ensure accurate and timely delivery of print projects.
• Managed multiple projects simultaneously, prioritising tasks and meeting deadlines.
• Continuously updated my knowledge of printing technologies
• and industry trends to provide the best solutions to clients.

New Zealand

• As a Digital Print Operator at Jadcup, I operated digital printing equipment to produce high-quality prints. My main responsibilities included:
• Set up and calibrated printing equipment to ensure optimal print quality.
• Monitored and adjusted print settings to achieve desired results.
• Performed routine maintenance and troubleshooting on printing equipment.
• Collaborated with design and production teams to ensure accurate and timely printing of materials.
• Managed print jobs from start to finish, including prepress preparation, printing, and post-production finishing.

Auckland, New Zealand

• Ensure that jobs are costed correctly and in the most cost-effective process.
• Create all repeats orders for production.
• Liaise with the technical manager to continuously look for cost savings,through the customer review process.
• As required do quotes for tenders, working with the technical managerto offer a competitive price and meet the customers needs and specifications.
• Liaise with outsource companies regarding foiling and embossing to ensure the bestprice is achieved

New Zealand

• Receiving and altering to customer supplied artwork, creating files,in either offset or flexographic.
• Checking overprints and knock outs, adding trappingwhen & where needed.
• This may also include colour correcting images help meet targets on press.Using to Esko plato & Artios CAD to prepare imposition files for plate makingGMG colour proofs.
• Operating a flat bed Zund Cutting table, used for product mock up and carton ideation.

Auckland

A short live integration film 'EGG' directed by Steven McNicholl. Within this team project we have a team of 9 where I was in charge of developing creatures and taking them right through to final look development.Duties included:- Creature concepting- Digital Modelling- Texturing & Shader Development - Weight mapping- Blendshape Development

Auckland

A short VFX live integration project 'Irirangi' directed by Kennedy Faimanifo produced by Jacob Luamanu'vae.- Capturing live integration texture reference for Hero Boar- Digital creation of Hero Boar creature (Digital Sculpting + Texturing)- Lighting, Texturing, Shading

Auckland

King of the Streets 2 is a indie game cinematic for Field Magic using full Motion Capture performance. Directed by Kennedy Faimanifo produced by Bryan Field (Field Magic)- Creating character textures for 'Sikeone' character- Lighting (Pending)

Auckland

Live Integration project 'Dragosaurs' Directed by Ian Lopez, visual direction provided by Greg Broadmore- Capturing live integration texture reference for CG assets- Modelling Supervisor- Texture Artist

3 City Road, Auckland

Short live action film 'Nice and Warm' Directed by Michell Vergel de Dios

Level 7 Diploma, (Digital Arts) Specializing In Digital Sculpting & Texturing

The Diploma in 3D Graphics Advanced is an NZQA qualification that is recognized at Level 7 on New Zealand Qualifications Framework. Yoobee.

Level 6 Diloma, Digital Arts

The Diploma of Animation [Advanced] is an NZQA qualification that is recognized at Level 6 on New Zealand Qualifications Framework. Yoobee.

Level 5 Diploma, Digital Arts

The Diploma an Animation & Digital Video is an NZQA qualification that is recognized at Level 5 on New Zealand Qualifications Framework..